The last time that I mentioned anything about this botanical art piece in progress, was August 3, during my Open Studio event in Bosham. You saw the start of the picture and I will reintroduce it here.
I got as far as this:
When, with the help of a very good friend who is a brilliant mentor, I decided I needed to change the composition. As he said, I hadn’t put enough thought and work into the composition before I had started and therefore I was likely to come a cropper. I agreed with with him.
Following this discussion, I decided to prepare all my dissections and other parts to be introduced into the composition, in detail. Until this time, I had only prepared the main part in detail and put a rough sketch where I was going to have the other sections; this included a ‘line’ that represented a branch! Therefore I had to get down to the hard work that I needed to do; my detailed line drawings ready to trace over.
The microscope then came into function and this helped me change my mind completely about the sort of dissections I needed for the picture. Here is what I saw:
The flower has eight stamens. Four are tucked up and four hang down, with the hanging down ones ripening first. Had I done a typical dissection showing a separate stamen and separate style and stigma, no-one would have realised how it was all placed in the funnel formed by the semi-fused sepals. The solution to this problem was to do one longitudinal dissection of the flower, showing the stamens, style and stigma in situ. All I have to do is the drawing and painting show that it shows clearly!
We are still back at problem number one; composition. How are the elements to be placed and what size will they be. If you remember the plant has tiny leaves and flowers. The main section is painted at twice the normal size, although I will include a graphite line drawing actual size. But how big do the dissected flower and fruit have to be to be seen clearly?
I completed all my line drawings, traced them onto tracing paper in the manner I have previously written about in this blog, and I cut each traced element to arrange around the paper. These are all the compositional trials I made. Which one do you think I chose?
As a final for this blog, I still have a couple of places left for the next workshop in Bosham; Hedgerow produce, 25 – 27 September. If you are interested have a look at the the page on this website, Tuition –> Workshops. You will be very welcome.