Completed from the last botanical art workshop; when is the next?

I thought that it would be pleasing to show one picture started in the last workshop, completed. Sue James sent me this message and gave her permission to use use her name and her image.

‘Finished article! Thanks for a great workshop, learned a lot! Looking forward to the next one’.

Version 2

I am sure that you will like it as much as I do. Painting the hairy buds of the Magnolia x solangeana in the technique that I use is not easy although it gives the best result. I think you will agree with me that she has achieved this very well.

There are plenty of opportunities to learn my techniques in workshops https://gaynorsflora.com/tuition-2/workshops/ ,

workshop holiday https://gaynorsflora.com/tuition-2/exclusive-botanical-art-painting-holiday-at-le-manoir-in-france/,

and the online botanical art course https://gaynorsflora.com/tuition-2/online-botanical-art-course/.

Because I limit the number of students at each workshop I teach in watercolour, coloured pencil and or graphite.

The next botanical art workshop in Bosham is ‘White flowers against dark ones’, although in reality the topic is really about what is to be gained by painting pale flowers against something darker in the background; leaves or darker flowers. The workshop is Thursday, Friday and Saturday 16 – 18 February and there are still a very few places available.

The workshop holiday at Le Manoir in the French Dordogne has only four painting places left, so if you want to come, sign up for this soon. Take advantage of being looked after from the botanical art point of view, and in relation to the holiday with well thought out afternoon trips and of course looking after your taste buds.

Last, but not least is the ongoing Online Botanical art course. Unlike many other online botanical art courses, this one takes a limited number of new students each month and is therefore continuous. It is spread over a longer period of time (18 months), allowing you to fit it in with your other commitments and life in general. Additionally, you can get in touch with me with any queries you have about the course at any time; you can communicate with other students participating in the course via a secret Facebook page; the feedback you get for each of your assignments is a several page long very detailed constructive critique about each of the pieces you send to me. I take on new students for February 1 tomorrow, and again 15 February. Get in touch.

It may be grey out there just now, but there is so much already in the garden (in the Northern hemisphere), just ready and waiting to explode. Down under, it is probably the hottest part of the year, but it is always exciting for me to see the subjects chosen to paint, which might be considered exotic in the UK. Oh how I love doing what I do!

 

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Botanical art, workshops and vellum

What a mix!

The week after next I have my first workshop in 2017. There are no places available for that workshop, but there are places still available for the one after that.

The following workshop will be Thursday 16th to Saturday 18th February and the topic will be White flowers against dark ones. I decided against being too specific about which plants, allowing students to think about what they have in the garden. The intention is to show how easy it is to paint pale against dark, thus reducing the amount of shading necessary. People often have problems with white and yellow flowers in particular, but the method I will show you eases this problem hugely.

Do get in touch soon to book your place on the workshop:  https://gaynorsflora.com/tuition-2/workshops/

When I am running these workshops and showing what people have accomplished, I often get comments that they wish they lived nearer. Well, as I am now running my online botanical art course, you have the opportunity to learn from me whether you live nearer or far away. Presently I have students who live fairly near and occasionally come to one of the workshops in addition, but I also have students on the other side of the globe. Not only are they able to get detailed feedback from me throughout the course (watercolour or coloured pencil), but they also communicate with each other.

I don’t take on many students each month, but will be taking on new ones 1 February. This is the link to the online course: https://gaynorsflora.com/tuition-2/online-botanical-art-course/

But of course, this autumn we are having the exclusive botanical art holiday at Le Manoir in the Dordogne. Places are limited for this workshop holiday, so do book early to avoid disappointment. https://gaynorsflora.com/tuition-2/exclusive-botanical-art-painting-holiday-at-le-manoir-in-france/

Lastly, what’s all this about vellum? A tutor is no good if they too aren’t constantly learning. I feel so privileged that I learn so much from my students, but also now and again I have the opportunity to go on a course myself. When I was in Pittsburgh, USA, for the annual American SBA conference, I not only taught but I was able to go on a workshop with Jean Emmons. For those of you who know her name, she does the most exquisite work on vellum. I have at last finished the piece that I started on her workshop. If you read this, thank you Jean.

 

A Maple leaf
A Maple leaf on Kelmscott vellum

Workshop schedule and booking forms now available

I had to work hard to finish the Liriope muscari ‘Moneymaker’ in time for handing it in at the beginning of this month. Including the sketches when I first got the plant in 2015, sketchbook drawings, colour matching and composing the picture to my satisfaction, it took 211 hrs.

I remember a comment that someone made not too long ago; when they started painting they thought that as they got better they would be quicker, but it didn’t work out that way. They too were a botanical artist.

I have to say that when I took up painting plants a few years ago, having painted birds in great detail previously, I too thought that I would get quicker as I got more experienced. The trouble is that as one becomes more experienced one knows what to look for and that getting the detail right is imperative. I suppose that this is affected too by my style of painting which is not wet-in-wet. I use a fairly dry technique generally, which allows for the finer detail. Added to which I am my own worst critic!

The finished painting can now be seen in my website portfolio. Follow this link: Liriope muscari ‘Moneymaker’

At last my schedule of botanical art workshops in 2017 is complete and you will find the detail and booking form here: Workshops for 2017

The booking form for the botanical art workshop holiday at Le Manoir in the Dordogne region of France is also ready. You can find this here: Le Manoir 2017. There has been a lot of interest for this workshop holiday, so grab your place as soon as you can. There is a lot packed into the holiday and if you want to take your partner, there will be plenty for them to do too – that is if they want to do anything outside the planned trips! You will be painting at least in the mornings and can choose to do the excursions if you wish.

As a reminder, all levels of experience in botanical art will be welcome because the class sizes are small. Life is about continually developing your skills, therefore to join a workshop, experience is not necessary, just the desire to learn.

You can use coloured pencil, graphite or watercolour on all of the workshops and the holiday – except for the workshop with vellum.

Botanical art workshop booking form for 2017
Botanical art workshop booking form for 2017
Le Manoir; Exclusive botanical art workshop holiday
Le Manoir; Exclusive botanical art workshop holiday

Do get in touch if you have any queries.

Its apples in the air!

Each workshop that I have done recently has been about apples. Shape, form and colour.

You have seen the pictures from the last SFP workshop that it was almost all apples. The small workshop that I had this last weekend also focused on apples.

One of the students was working in watercolour and as she was neither very familiar with watercolour, nor botanical art. I think she did an amazing job. The other student first came on one of my workshops a couple of years ago with the wish to learn coloured pencil. She hadn’t done any art either, so she too had a steep learning curve. But she comes to my classes and workshops on a regular basis and is now a very good artist.

It was a lovely balance to have in the workshop as the more experienced student had a very good idea how the other felt and was able to give encouragement.

The two pictures shown here are very good and I think both were very happy with the results so far. Obviously the coloured pencil picture is quite a challenge. Apart from the form of the apples (four different ones) with their respective shrivelling leaves, she had to contend with different textures too. I know that she went home with a determination to complete the picture.

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Normally, when one has flowers and leaves in a botanical art picture, one does the flowers first as they die first. But in this instance the issue was the shrivelling leaves as they were moving constantly. Therefore these were started first to capture the initial shape and the colour that attracted her to them in the first place. She intends to go back to them after getting the apples finished.

The next workshop in Bosham will be ‘Autumn colours. Wow!’ Friday 28 October to Sunday 30th. I still have some places available so do get in touch soon so that you can secure yours. Please use the contact form at the end to contact me if you would like to come as I will be at the ASBA conference in Pittsburgh. I will be able to pick up emails and confirm if there is still room for you.

Now, to continue with more about the botanical art holiday planned for next year. Here is a bit more about it on this page of my website: Gaynor’s Flora exclusive botanical art holiday at Le Manoir

nightpool-website

 

Exciting news!

I have been seeing some amazing pictures on Instagram, of a fabulous looking 19th century house in France. They were posted by a friend, Alistair, who had been experiencing it first-hand. The house itself has beautiful architecture and was furnished in the style you might expect from that period.

In late spring this year I received an email from Simon and Nicholas, brothers who have restored Le Manoir to its former glory. They wanted me to consider running a botanical art workshop holiday in this splendid place. I hesitated!

There was much to consider here. I had seen the beautiful pictures, but there can be a lot of other things hiding behind beautiful pictures. Was it suitable? How did Simon and Nicholas envisage it would be? How many artists? Etc. Etc.

I got back to them, we had an initial meeting in London a few weeks ago and in the last 24 hours we experienced staying in this amazing house, being looked after by Simon and Nicholas. We now know that Le Manoir is very suitable for an exclusive botanical art workshop holiday.

Le Manoir
Le Manoir

I don’t use the term ‘exclusive’ lightly. Le Manoir is beautiful. Each bedroom is large, with a view and with a very well equipped bathroom (two of them in turrets). In addition to that the kitchen, dining room, sitting room and lounge are all extremely comfortable and very homely. The gardens and surrounding Dordogne countryside are lovely, although slightly baked following a long hot and dry summer. The swimming pool and large open-sided dining area with equipped kitchen completes the feeling of luxury. Actually, not quite; the peace and calm that pervades dots the i’ s and crosses the t’s.

We spent the time available going through details and deciding how together we can create the ideal botanical art workshop holiday. We concluded that the mornings should generally be devoted to tuition and the afternoons to trips to explore the area and meals to experience the regional cuisine, both at Le Manoir and local restaurants.

We do know that the workshop holiday will be one week at the end of September 2017, it will be all inclusive, from local airport transfer (Limoges or Bergerac), full board and lodging, tuition and all planned trips.

But, to make it even more exclusive, it is only available to an absolute maximum of seven students, ensuring a period of individual and undivided attention to everyone. Accompanying partners will be able to take part in all the trips or can be otherwise occupied by exploring the area, hanging out by the pool, visiting vineyards, or playing golf locally.

As time goes on I will give more information about this exclusive botanical art workshop holiday, but, watch this space.

le-manoirdaypool

For more information about Le Manoir visit: http://www.lemanoirstsulpice.com