Haven’t had time to update my own website – so here goes!

I have been really bad at keeping on top of my own website because of all the work in relation to ABBA (Association of British Botanical Artists). Therefore this information about my participation in the RHS exhibition next week is not on the right page! Sorry about that, but I am telling you a little more about it now and hope that you will be able to make it.

Following on from the exhibition ‘In Ruskin’s Footsteps’ at Lancaster University, we (ABBA) have a stand this coming week at the RHS Plant and Art Fair, which for Botanical artists is a very important event. It is on 11th & 12th July at the RHS Halls in London. ABBA have a stand with the majority of Botanical artists, in the Lindley Hall. As I said in my last blog, Follow the Banner!

We are exhibiting five of the original pictures from the juried exhibition in Lancaster, giving everyone a further opportunity to study them. One of them is mine – Sea Thrift, painted on vellum. I mentioned that I would be demonstrating at the exhibition and now it is clear which medium I will be using, also which plant I will be painting.

I had intended getting my own exhibit finished for the RHS exhibition next year, but because of the amount of work that has gone into ABBA, I have decided to put this off until 2020.  My topic is ‘Foraging plants of the Norwegian Mountains’.

It became very clear whilst going through the various phases of the Worldwide exhibition preparation, that although the UK is a distinct island it is still part of the European Continent. At one point in our history we were connected without needing to use a tunnel, boat or plane. Our plants bear witness to this in that many of the plants that are native in Northern Europe, are also native in the UK. However, some may not be so common these days.

Image being drawn on vellum

One of my series of plants is the Arctostaphylos  uva—ursi, Common bearberry in English and Melbær in Norwegian. It looks similar to a Crowberry, but is white inside (floury), giving its Norwegian name. When picking Crowberries it is not popular to mix Bearberries in by mistake as they don’t taste quite as nice, although edible. Also it is a stone-fruit and not a berry!

ABBA wants to encourage botanical art in relation to our native flora. As I intend to paint the series on vellum, I will be using this medium on the ABBA stand at the RHS. I have a nice little plant of the Bearberry with the beginnings of small flowers. The image is already transferred to a small piece of vellum which will be ideal to practice on and make decisions about which colours to use.

From my sketchbook.

You might be just able to see that in my sketchbook I have quickly done a rough tonal drawing, indicating where the light is coming from. I have also put in a little blue to indicate where the light of the sky has reflected on the leaves and started indicating the difference between the colour on the front and back of the leaves: but that is in my sketchbook. Which colours I will actually choose to use on the vellum, remembering that colours appear far more intense on vellum as it reflects the colour of the pigment better than on paper, will be the result of this trial piece.

In addition to my demonstrations we will be talking with people to find out what they want from ABBA in the future and whether they – you, want to be part of it. Our focus will be to help anyone, anywhere, interested in botanical art to learn more.

But there is a little icing on the cake: The RHS have agreed to show the Botanical Art Worldwide exhibition slideshow from 25 countries. This will happen in the talks area of the Lindley Hall, between and after the talks. But just in case you want to see it otherwise, we will be showing it on the ABBA stand.

This is the last opportunity to see the Worldwide Slideshow!

General Data Protection (GDPR)

If you want to follow my blog then please do sign up for it on this page. However, if you would like to get the occasional email from me about workshop availability or general information about my botanical art news, then you will need to sign up for this separately.

Below is a link to subscribe to either or both email lists. You can easily unsubscribe at any time.

Subscribe to emails

Thank you. 

Advertisements

ABBA and busy bees!

Follow this Banner!

You might very well wonder what the connection is particularly if you didn’t read my last blog a month ago! ABBA stands for Association of British Botanical Artists. For some of us working with ABBA during the last year, at times we have been so busy that we felt as though we could buzzzzzzzzz away to something more relaxing. But we stuck with it and had a lovely exhibition at the Peter Scott Gallery, Lancaster University.

That was the start of ABBA, formed to take part in the Botanical Art Worldwide Exhibition where we were one of 25 countries taking part. For my part, I co-ordinated the UK offering.

But, whilst doing this it became very clear that there was a wish for ABBA to develop into an organisation that catered for everyone interested in botanical art. We are now putting things together to develop ABBA. Do come to the RHS Art & Plant Fair at the RHS Lindley & Lawrence Halls in London 11-12th July where we have a stand. You will be able to talk with me and my colleagues about our plans for ABBA’s future. Hopefully we can encourage you to join.

If I get time, I will be having some work there to demonstrate on, but I haven’t decided in which medium. That can be a surprise!

So what has been going on with me since my last blog?

I had a very interesting workshop at the end of May, where we concentrated on colour mixing. This is the sort of workshop that everyone says they want to do, but when it actually happens, life has taken over. But some people did sign up with an attendee from a loooooooong way away.

Although there was the opportunity to work in watercolour, people chose colour pencil. The results were amazing and there were pencils everywhere! In fact, it became so thoroughly interesting that I continued with my weekly class on one colour found to be a real challenge.

See if you can find a solution. I have to say it was slightly easier in watercolour than colour pencil. But a lot of layers are necessary no matter what medium you choose.

Following on from that was the event at the Stansted Park Garden show. We again had a really super show and met a lot of lovely people and the weather was perfect.

I notice that I am listing up events, which is not what my blog has normally been about. I want to show you work that I have been doing, but everything has been done in small bites as we race around the country setting up, taking down and planning.

But I did work some more on my Indian Corn in colour pencil. Luckily the fruit part of the corn doesn’t change too much over time as long as you look after it and keep it away from the light and gnawing bugs. But it is different with the leaves. I do need fresh supplies of those if the colour is to remain vibrant. 

I hope to see you at the RHS in a couple of weeks time. Do let me know if you have read my blog!

General Data Protection (GDPR

If you want to only follow my blog then please do sign up for it on this page. However, if you would like to get the occasional email from me about workshop availability or general information abut my botanical art news, then you will need to sign up for this separately.

Below is a link for you to subscribe to either or both email lists.

You can easily unsubscribe at any time.

Subscribe to emails

Thank you.

A Gaynor’s Flora Update!

The last time I wrote a blog was at the beginning of April. That is a long time ago for a blog, but the time has been filled to the limit.

I won’t go into the intricate details, just enough to let you know what I have been doing.

The RHS Launch February 2017

I don’t think I have mentioned in any great detail the formation of the Association of British Botanical Artists (ABBA), initially just to allow the UK (England and Wales) to participate in the Botanical Art Worldwide Exhibition.  At the American SBA conference in Pittsburgh in 2016 we were faced with the possibility that the UK would not participate because we were all too busy! I couldn’t let that happen. In the end 25 countries took part.

Our esteemed judges: Martyn Rix, Christabel King, Helen Allen, Ann Swan & Brent Elliott

At a meeting back home in November, three of us met and agreed to form a steering group with me as main co-ordinator; we launched ABBA at the Royal Horticultural Society’s (RHS) Botanical art show in February 2017 and the process for participating in the Worldwide Botanical Art Exhibition began to take shape. A few more botanical artists joined the steering group and we were away.

We decided we wanted to hold the exhibition ‘up north’ as everything happens ‘down south’, doesn’t it? We found an exhibition space in Lancaster and ‘In Ruskin’s Footsteps’ (the name of the UK exhibition) started to develop. An RHS Dawn Jolliffe bursary was applied for and granted, so now we had something with which to pay for some of the things we had to pay for!

Packing after the judging: Christabel King, Deborah Lambkin, Sarah Morrish, me, Lucy Smith.

In November submissions of botanical art pictures arrived from all over the country and our amazing judges took care of that- initially digitally (with signatures removed) and the last phase ready framed at Kew in January. 40 beautiful pictures were chosen for the exhibition to be held 18th May to 9th June.

Several other institutions in London decided they wanted to work with us for the Worldwide Day of Botanical Art 2018, which was on 18 May. Therefore, together there was a lot going on behind the scenes on these events too.

After some wobbles and lots of hard work, the time to set up the exhibition arrived, now to be held at the Peter Scott Gallery, Lancaster University. It is a fantastic exhibition space and people working there plus the previous curator at the Ruskin Library, were very helpful and supportive.

Martin Allen, Sarah Morrish & me just before the preview 17th May 2018
Worldwide Botanical Art Day in the Peter Scott Gallery at Lancaster University.

We had the pre-view on the evening of the 17th May, with speeches by the curator Richard Smith, myself and the opening of the exhibition by Professor Stephen Wildman. That in itself was a lovely event (I think!) and many of the exhibiting artists came along.

Starting a Colour pencil demonstration of Lily of the Valley. Worldwide Day of Botanical Art 18 May 2018
A little further along with the demo on Monday 21 May

For more information about the Botanical Art Worldwide Exhibition; In Ruskin’s Footsteps, go to

www.britishbotanicalartists.com.The exhibition is on until 9th June 2018. Generally botanical artists are there demonstrating and on the last day there will be a tour of the pictures and a talk.

In between all of this I have managed to squeeze in the Chichester Open Studios weekends and I had quite a few interested visitors. Each evening though it was back to working until the early hours of the morning, on ‘In Ruskin’s Footsteps’.

At Chichester Open Studios art trail, starting off the final work for a commission. A Bramley Apple in watercolour.

To show you a little of my own demos whilst in Lancaster I am including the unfinished picture I worked on in coloured pencil. I chose a Lily of Valley as so many people worry about white flowers. I wanted to show how best to do it. I used a lamp to highlight from the left and some of the leaves became backlit creating a beautiful architectural plant. The picture will remain unfinished as the flowers are now long gone, but it will be useful to demo on.

General Data Protection Regulation (GDPR)

Sorry to have to bore you with this! WordPress already has a system in place that protects you if you have signed up to follow my blog. But if you would like emails directly from me about workshops and tuition, or information about my botanical art news in advance of exhibitions etc. then to hold your name on my mailing list I need your permission.

My mailing lists are stored on my computer address system and on a MailChimp list. They are used solely by me and I do not give them to anyone else.

If you would like to have my botanical art news, please click on this link and follow it right through: http://eepurl.com/dqv4ML

If you want to hear from me about workshops and tuition, please click on the link and follow it right through: http://eepurl.com/dqwEtb

Each link enrols you onto a different list, so if you want to hear directly from me about both my news and tuition opportunities , follow through with both of them.

You can easily unsubscribe at any time. Thank you for reading this.

Nearly there with the Benton Iris ‘Farewell’

Hopefully, through this series of paintings with the Benton Iris ‘Farewell’ you will have understood how important it is to plan and prepare a painting from the initial composition , through tonal sketches, practicing techniques to finally the painting.

Because i believe that good preparation is the basis for getting a result in botanical art that I am happy with, I planned this year’s workshops to help others with this process. The next one is 23 -24 March and is all about developing the careful line drawing and using it as a basis for the rough tonal drawing. There are still places, so do get in touch.

But back to the Benton Iris. Actually as the painting has developed I have felt some sadness that there isn’t too much left. Obviously I also learn from doing it and this painting has been rather different to ones I have done before. It has been quite a large painting, it is on 640 gsm which doesn’t feel quite as smooth as 300 gsm paper. I used quite a bit of graphite so that the picture would not be heavy and doing this on the 640 gsm was not so easy. It was important to show all the intricacies of the plant, to get them absolutely right and to make it an attractive picture as well.

Some of the things that I had to include in the flower were:

  • The view showing the Stigmatic lip. This is the view into the flower showing the sexual organs. look very closely inside the back of the flower and you will see a slight transverse ridge; that is the Stigmatic lip. The Stamen – male organ, is vertical, deep inside the flower and just below the transverse ridge. The pollinator climbs over the beard to try and reach the nectar deep inside the throat of the flower, gets pollen on its back and rubs it off on the stigmatic lip, fertilising the plant. You will see this view in more detail in the last blog.
  • The view with the emphasis on the Standard and Fall petals (this blog),
  • Buds developing
  • The height of the flower spike.
  • The height of the leaves particularly related to the spike.
  • The top part of the rhizome.
  • The growth habit (the fan of leaves)

This time my pictures show the development of one of the falls.

 

This slideshow requires JavaScript.

 

This is the final stage of the top flower. I will show you the complete painting in the next blog, so that you can judge whether or not the painting is successful. It is the viewer that determines this. 

 

A little more of my Benton Iris ‘Farewell’

Trying to paint more with the Benton Iris – work that I love doing, has been complicated by all the adjustments in relation to the botanical art exhibition ‘ In Ruskin’s Footsteps’. But you can now see the updated website in relation to the new improved venue (still at Lancaster University) and adjustment to the dates. I will give you the link at the end of this blog.

In my last blog I showed you my progression in relation to the large fan-like leaves of this majestic plant. I chose to include only colour for those on the right hand side of the artwork and graphite on the remaining leaves. This was so that the picture would not be overwhelmingly heavy with green leaves. 

I finished off last time with the bud spike on the left hand side of the artwork. Now I will show you the start of the main flower spike, which needed to be divided in two because of the height of it.

 

 

 

This is customary in botanical art when painting correctly.

 

It is important to give an indication of the habit of the plant if painting life-size and the plant is very tall; try to include as much of it as possible in the same painting. I have divided the flower spike in two and have shown the cut ends with the same profile at the cut edge.

On this stem you can clearly see the flowers and buds spiralling off.

I have started off with a pale wash for the bud leading up to the main flower before completing the detail with a dry brush technique.

Now the start of the top flower and he developing bud just underneath. This was actually quite difficult to get right.


All my sketches were done outside in the garden last year and if you don’t keep your head still while drawing, the detail visible will change.

If you are enjoying following the stages in the development of the Benton Iris ‘Farewell’, you might like to come to my next workshop March 23-24th, where this time we will be concentrating on a line drawing and tonal sketch. Normal, good preparation for any botanical art painting. Get in touch with me via the contact form below if you would like to join us. The details are on the Workshop page of my website.

Look at the last blog of 2017 to remind you about how I started off this Iris. https://gaynorsflora.com/2017/12/30/last-gaynors-flora-blog-of-2017/.

Although botanical art is fairly strict in what is ideally included in a picture, it is quite wide ranging and much wider than for pure botanical illustration. But it is important to remember that what I show you in my blog is my style of working. There are many different styles and none are wrong; It is the result that counts!

 

Last but not least the link to the Association of British Botanical Art website: www.britishbotanicalartists.com/2018exhibition

A little bit further with the Benton Iris ‘Farewell’

The Botanical Art Worldwide Exhibition; “In Ruskin’s Footsteps”, which is the English and Welsh contribution to the global exhibition happening 18 May 2018, is taking all my time these days, in addition to marking some really interesting assignments. Attracting people to look at botanical art and perhaps trying it is always an exciting prospect. For the exhibition, go to the Association of British Botanical Artists (ABBA) website: www.britishbotanicalartists.com. Here you will find all the updated information.

For my online botanical art course go to:gaynorsflora.com/tuition-2/online-botanical-art-course/

But I have done some more of my painting the Benton Iris ‘Farewell’. Last time I had done some of the leaves and told you that I was going to use graphite for some of them. I have decided that to show the habit of the Iris to the best advantage with the fan-shaped leaves, I would do these solely in graphite. In this way the overall effect of the picture will not be too heavy and the flowers will come to the for.

It was not easy doing so much graphite on the heavy Fabriano paper (640gsm) and I will need to adjust the strength of this as I add the flowers.

Below you get an idea of the overall layout of the picture with the flower spike with buds on the left side of the picture.

 



To the right is the bottom bud on the flower spike. After finishing this section I needed to adjust it because it came directly below and in line with the top bud. But as in so many plants the buds spiral round the stem and of course this is an important part of correct botanical observation.

The ideal would have been to get it right first time during the line drawing and not after having painted it! The image below is the corrected version. Here you can see the centre line at the bottom of the bud, has been moved slightly to the left.

 

 

And so the voluptuous terminal bud, with another one developing at its base. The bud of the Iris Farewell has a very typical shape to it and in my garden where I have different Irises, I can see the Farewell straight away. The tip is almost squared off rather than pointed. I think this is part of its attraction.
You will notice that I have started the flower to the right, but I will come back to that in my next blog. Whilst painting each section of my composition I am constantly looking at the rest of my picture and adjusting as I go along. I added a little more shadow to the right of the bud after I had started the flower. The image is from that stage.

I hope to get back to you soon with more images from the development of this picture.

I have another workshop in just over a week’s time. 23 – 24 February is a workshop on Composition and Perspective. If you want to improve on these particular topics in your own practice, sign up for the workshop as soon as you can.

Last Gaynor’s Flora blog of 2017

First of all I hope that everyone able to follow my blog had a very peaceful Christmas. Thank you for your interest in my work over recent months. I hope that it has encouraged your own botanical art involvement.

I have been quiet for a while as I have been so completely engaged in the UK preparations of the Botanical Art Worldwide Exhibition  opening 18 May 2018. But during relatively quiet moments I have been working on my next painting for the Benton Irises Florilegium.

Today, has been one such day. Although we have family visiting over Christmas and more due over the New Year Period, I managed to work a little on the composition of the Benton Iris Farewell.

This is an absolutely stunning Iris which at first glance is white with reddy-brown falls. But when taking a second look, white does not describe it. The Iris seems to pick up all the colours of the rainbow!

I now have several plants in my garden and in the spring made full use of all the days I could sit out in the sun and sketch it. These are some of my preparatory sketches.

This slideshow requires JavaScript.

Today I worked on the composition and it is completely different to that which I had anticipated. I had already scanned my sketches and moved the different parts around on my computer screen after having worked out where my Golden section and area of focus was likely to be. From this exercise I thought I had a rough idea of what I wanted to do, so started sketching it.

This is my rough layout. Where do you think the area of focus is? Is it in a Golden section? Is the eye lead around the composition?

Colours will also influence the final composition as will weight of the various elements.

I hope to keep you up to date with how the painting develops, but that is dependent upon the amount of work with the Worldwide exhibition. Do look at www.britishbotanicalartists.com.

HAPPY NEW YEAR

2018

 

Thymus vulgaris – a botanical art project.

Have you ever really looked at Thyme when you are using it in cooking? I bet you haven’t!

I have been asked to paint a botanical picture of Thymus vulgaris. Note the correct way of writing a binomial scientific name correctly; all in italics but with the capital letter at the beginning of the first word only.

My heart sank when I got the email asking me to do this particular plant. Imagine, all that ‘tiny-ness’! How on earth was I going to create a beautiful picture from this subject, one in which the viewer wanted to take a second look. The picture still isn’t painted yet, so the result will not magically appear at the end of this blog. However, I thought you might be interested in both my thought processes and my work progress.

I eventually got a plant that said it was Thymus vulgaris.

Thymus vulgaris

In actual fact, I got three – all of them different. I knew that the leaf had to have a furled edge; two of them had furled edges. When the flowers eventually started to appear I knew that the stamens would be protruding from the tube created by the four petals. One of them did not have protruding stamens as they remained just under the fused lip of the petals. The last one did all the things I expected it to do. Or did it?

When the last plant had flowered for a while, some of the flowers didn’t have visible stamens. After much research I discovered that in fact the same plant can have flowers with all the reproductive systems in place, but some flowers are sterile as they only have a style and stigma. Whew, what a relief. I now had a suitable subject. Do you like it? But where to start!

A quick look at the leaves

As you now realise I had to do quite a bit of investigating in relation to this plant. It helped me get to know it so that as I observed, researched and sketched, thoughts for my final composition began to be a little clearer. I also found that although it was a challenging subject (apparently I like challenges). I also really began to appreciate the plant and wanted to include things in my picture that would tell others about the plant. However, one of the challenges is that there were to be no dissections! That is often how I show others of what a plant is comprised.

Botanical art is an exciting subject and it really helps you to observe things around you. So we start off with the leaves. Have you noticed anything strange about them. Have a look at a real one, rather than my pictures.

Trichomes on the leaf

You will notice the appearance of little dents in the surface of the leaves. This is the same ones under a microscope. Do you see the little dents are in fact Trichomes, a special type of hair that produces aromatic oils. The oil is the part that smells so good when you crush the leaves before adding them to your cooking. But see if you can see where else the hairs are and the oil is:

Trichomes on the flower bud
Trichomes on the flower

Every part of the plant can be used in your cooking as every part produces the aromatic oils. Exciting isn’t it?

But what about the parts that need to be included in my picture? Although I found this particularly interesting and wished I could include this information in my picture, this depth of detail was not needed by the client.

However for me, Thymus vulgaris had moved up in my regard from being a plant with lots of tiny bits that smell nice, to being a complex and interesting plant. I hope I do it justice.

A Flower spike

 

 

I decided to do a whole lot of sketches in my sketch book. This helps hands to get to know the painting of the plant, the size at which I am showing it, the colours and hopefully an idea for the composition.

 

 

 

Me painting away with a magnifier on my head.

To see the plant I needed to use a magnifier, which lead me to enlarging the flower spike for everyone to marvel at the detail of the individual flowers.I did three spikes before deciding which one to use for my final composition. You can see by my clothes that the weather was a lot colder when I started this project!

<a
 

 

 

 

 

 

I now had a better idea of which sketches I wanted to include in my final picture. I wanted to show the flower spike enlarged so that the flowers with their magnificent coloured anthers were clear. I also knew that I needed to give a suggestion of the surface texture of the leaves, front and back as well as the growth habit of the plant.

A trial composition,
Final composition
The final painting started.

UK native plants packed for RHS botanical art exhibition

Packed and ready to go.

Tomorrow two of us are travelling up to London to set up the ABBA table in the RHS Lindley Hall, Vincent Square near Victoria Station. It will be the RHS botanical art show with the best of International botanical artists showing their work. Neither of us are exhibiting our own work this time, but we will be demonstrating different techniques.

The main reason for having the table at the exhibition is to talk about the plans for the Worldwide Botanical art day in May 2018 and to encourage British botanical artists to take part. A new Association of British Botanical Artists (ABBA) formed to do this has put an initial ‘call for entries’ on it

Www.abba2018.wordpress.com

On  Friday and Saturday this week, I have chosen to demonstrate a sketch book or study page in graphite and watercolour from  one of the native plants I have packed to take with me. Come along and see how I do this.

Apart from the Primrose, do you know what these plants are called?

The one on the right, with hardly any leaves just yet, is a Bilberry. This is a small wild blue berry. It doesn’ look very interesting at the moment, but if you are going to paint the portrait of a plant, including something from various stages in its life cycle, makes the resulting picture more interesting.

The plant above  the Bilberry with the small oval leaves is Cowberry and has small red berries. You might know it as Lignonberry and has smaller and sharper tasting berries than cranberries. This plant has the beginnings of tiny flower buds.

The one above the Primrose is a Crowberry and will eventually have small, almost black berries. Again the plant doesn’t seem so interesting in this stage of its life, but I think might offer some challenges whilst painting its portrait.

Common for for all three species ( not the Primrose) is that they all produce fruit that is edible.

I am lucky enough to be able to do some sketches now, while the plants are only just coming out of their winter state. This will be particularly useful for me and for future work I have planned.

Do come and see us at the RHS, Lindley Hall, Vincent Square, Friday and Saturday.