I have just this minute finished downloading two videos to YouTube. The first one is fully accessible and the second is only accessible at the moment through the online botanical art course.
Obviously doing these videos is the best way of actually seeing how a technique is done and, they are easy to film. What is not easy is all the work that needs to go into refining the video so that people both learn something from it and don’t get bored.
Botanical art is painstaking and can take quite a long time. Each stroke has to be thought about before it is applied. It therefore takes time. But with a video, people aren’t interested in seeing you spend time thinking! They want to see you apply that stroke and if there is anything special about it, they want to see what you need to do before you apply the stroke – how you fill your brush as an example. Unfortunately that bit is in the second video!
Another thing that is a source of interest, is seeing the painting develop, layer for layer – but in a reasonable time span.
The two videos are based on the same picture. The first one is a demonstration of the first washes on the three shallots, showing how the under-layer can also start creating form. It then goes on to show the painting of two of the shallots using time lapse photography. A short sequence in the middle is done in real time. Here is the link: How to paint Shallots in watercolour – part 1
The second video demonstrates the painting of the third shallot in detail. I have shown short sections in real time, to guide through the techniques I use. The rest is the real-time video speeded up a little. But at the moment this one is only available to those signed up for the online course.
Before I forget to mention it~the botanical art workshop in April is Friday & Saturday 8-9 April and is called ‘Botanical drawing and shading in graphite’. You will find the details and booking form under the section on Workshops. I look forward to hearing from you.
I wrote a blog called: tracing to Art paper from 25 March 2013. I thought it might be useful to refer to in conjunction with my new video on YouTube :
Both on the blog and in the video I have used an instrument called a Decoupage tool. This was bought from FredAldous online. It is very useful as it is smooth and small, but just large enough to spread the load placed on it when transferring an image onto art paper, without indenting the paper.
Why is it important not to indent the paper? Often, when transferring an image, no matter how careful you are, you will nearly always get some indentations. If painting in watercolour, the pigment is more likely to collect in the narrow grooves leaving a darker line. If using coloured pencil or graphite, pigment won’t go into the embossed lines so easily and white line are left. You don’t want either of these effects from outlining your image.
The technique is simple and removes the risk of the embossed image during transfer.
Do give me feedback about the video, positive and negative, so that I can carry on improving ones in the future.
I will be having a graphite workshop on Friday and Saturday, following pressure to put on such a workshop. Watch this space for some pictures at the end.
Now The reason for following this blog – botanical pictures completed in the last few days. I haven’t done many of the artists trading cards as with my style of painting, each one takes about two days. The last one is the image used for the tracing and as Gorse is not easy, I am on my fourth attempt! I don’t give up that easily!
This is going to be a very short blog as my eyes are popping out of my head.
I finished off a long series of London Art College assignments this morning, intending to go back to the easel afterwards. I was then asked to write a short article to go on the website for the Chichester Open Studios event in May. Naturally I decided to do something about the Pineapple, put it forward as a suggestion including the use of my first video tutorial.
I know that there is already a series of videos that you can find via the Tutorial page on this website, but those are professionally done. Back to this one video so far: I started filming and doing a series of ‘time-lapse’ pictures at the beginning of the pineapple painting. This video comprises both elements covering the initial period and lasts about three minutes. I continued to film throughout the whole painting, so in due course I hope to release something that will show the whole pineapple develop before your eyes. But that is still in the cooking pot.
Following the query earlier today, I therefore logged onto Youtube and created a channel called Gaynor Dickeson. It contains just one video: ‘How to paint Pineapple segments with Gaynor Dickeson’ . Do enjoy and let me know what you think. This is the link: http://youtu.be/htu3A2mpFCo