Crab apple series, Magnolia series,
Dipladenia, Pineapple, Bear’s britches, Pineapple etc.
Vellum, Pen & Ink,
I am on the last steps towards finishing the RHS crabapple paintings. Except for additional research for the Malus Red Jade information labelling, I have finished the actual painting and colour matching for prints. I will give you a glimpse at the end of this blog.
Unfortunately I won’t get much work done on the next painting tomorrow as I am teaching my weekly class in the morning. But as much time as possible is now spent on these botanical paintings.
How am I doing? Will I be finished in time?
These of course are the questions I am asking myself and I imagine are the same questions for those who follow the blog.
Preparing for the RHS botanical art show which will happen in London 11 – 12 April, with preview on the evening of the 10th, has taken three years. The work is almost finished. Believe it or not.
I have finished painting each of the six pictures. I have only painted the necessary six and I haven’t painted a 7th as a reserve in case one wasn’t up to scratch ( I was advised to do this – in case). The frames are made and all that remains is working up the digital images for printing plus writing the information to hang with the pictures.
Matching the colours exactly is a hugely time consuming exercise. I prefer to do this myself unless the picture is too big for the equipment I have. As having the correct colours to reflect my subject is important for my painting, I am a perfectionist in matching the colours in Photoshop.
The last bit of work will be to research further the six Malus plants I have painted and write some information about each of them.
Three weeks is not long. The sun is shining, the garden and gardening await and May this year will be very busy with exhibitions. But, the RHS exhibition is the most important having taken three years to prepare.
Breath!
The weather isn’t getting any easier yet, in fact, today whilst painting in my shed I got quite scared. That is not me! The sun had been shining, but a large cloud was beginning to darken the sky. Suddenly it started blowing so much that the shed was actually shaking. I have never experienced that before. Even the cats sat up and took notice.
I am ploughing on with the pictures for the RHS exhibition in London in April. I now have the Malus Everest picture finished – I think. I have used exactly the same type of dissections for this painting as the other one. You saw the longitudinal section of the last picture. Guess what this is. You know which crab apple this is, so try and see which part it is.
All the pictures are being done in coloured pencil. I had thought to do the dissections in graphite, in the same way as in other illustrative paintings. However, I have chosen to continue them in colour in this series of paintings.
I have my work cut out to get my six pictures ready for the RHS botanical art exhibition during the Orchid show in April.
The series of six crab apple trees is well on the way. The apples are painted in all six pictures. I have done all the sketches and colours for the blossom ( done two years ago); all the sketches for my dissections were done last year; all of the apple dissections are sketched and ready to go. It is now a matter of putting it altogether in the finest detail and with my best techniques.
I have just completed the first picture. It is the Malus ‘ gorgeous’. I will give you a little glimpse at the end, but to see the completed picture I will encourage you to come to the RHS exhibition itself.
I will ask for one bit of help though. I need to include the Latin names for each of my apples and I can’t find all of them. If you know them, please let me know. The pictures will be, M. Gorgeous, M. Golden hornet, M. Evereste, M. Red sentinel, M. Red jade, & M. John Downey.
I’m afraid that this photo is not too brilliant – a little dark. Even more reason to see it in real life. Just pray I get all the pictures finished and retaining a good standard.
‘Thanks so much for a brilliant 2 days. I thoroughly enjoyed it all!’
I got this email as soon as the student had returned home after the Pen & ink workshop. Is it any wonder that I enjoy teaching when I get a response like this?
I had a full workshop and you have already seen the step by step series I had prepared. If you want to know what each of the steps entails, you will need to sign up for one of the workshops next year.
Each of those taking part worked really hard, expressed their pleasure in having done the workshop and several want to practice the technique more. Most of the students hadn’t intended drawing a Hydrangea as they thought it too difficult. But, after showing them the technique all but one attempted it. These are some of the results:
They are good aren’t they?
On Thursday this week I will be having a workshop using Pen & ink.
Following the Sarah Simblet workshop in July, my students asked me to show them her technique. Obviously, although I studied Sarah’s technique, I use it in my way.
Going on a workshop doesn’t mean that you have to incorporate the teacher’s technique 100% when you finish the course, but that you use what you have learnt and incorporate some of it into your own way of working. That is why no botanical art teacher is absolutely right or absolutely wrong. We are all different and emphasise different aspects in our work.
I advise students who come to me, to also learn what they can from other teachers too, so that they can develop their own style, using elements from all they learn.
Anyway, on Thursday and Friday I will be having several students who want to learn a pen & ink technique that is not dots.
During the last few weeks I have done a series of step-by-step pictures and these should give a better idea of what is needed at each stage of the picture. I realise that without further instruction these pictures will not make full sense. But, the last picture is the completed one.
A drying Hydrangea.
Yes. Sort of.
Some of my paintings take around two years to complete especially if I am doing a series of paintings and they include; A year in the life of………
How do you complete a series of paintings if the series is from the same genus and they bloom and fruit at similar times?
This is how I do some of it. As an example I will use the picture that I have been working on this week. Malus Gorgeous.
In the spring last year I did some sketches, colour detail and size of the blossom. I had to do five other crab apple trees at the same time and, during a ten-day period. This year I did dissections of blooms from the same trees and preparation sketches of the dissections to include in the pictures.
Going back to the Malus Gorgeous specifically, this summer I planned the composition and sketched this out on my final paper. I used elements from various pictures I had taken of the small tree. Bearing in mind that the apples were not full size and far from ripe and the finished painting was to include ripe fruit. The photographs were and are only a rough guide. This is the photograph I used for the main bunch of fruit.
I had to enlarge the fruit slightly to the size they were likely to be when ripe, allowing for the fact that even this allowance might be slightly out. I had measured the ripe fruit the previous year so had a good idea of the size. I then started painting the leaves.
I picked the leaves I intended to paint, one at a time. None of them the ones in the photo. Some were more interesting than others, but I had to make sure that the leaves I picked were the ones arising from the fruit spur. These were the type I had included in my picture, and not those born on new shoots, as these are more leathery and differ quite a bit.
I positioned each leaf as I had sketched it in my composition and painted it into the picture until most of the leaves were in place.
I have been doing the same with the apples. These are this years ripe apples. They have started falling off the branches, therefore I had to get on and paint them whilst I could – particularly if I wanted the series finished to exhibit at the RHS next year. That is if I get exhibition space.
Funnily enough and, luckily, the apples seem to last different lengths of time on the trees. But there isn’t much in it, so I have to plough on until all the apples are finished.
Some of the pictures of the apples being painted – with coloured pencil used dry in case anyone was wondering.
Today I managed to do all the apples. I have a couple more leaves to do and then have the dissections and branches to put in the picture. But that won’t happen yet as I have to catch up on all six pictures. The sketches Of the dissections that I have in my sketchbook will give me enough information to do this at a later time. Don’t forget that once everything is in place it has to be tied together with shadows etc in the right places.
As you see I do use photographs in botanical art, but every element in my pictures are painted from life.
By the way, comments or queries are very welcome.
My sketchbook page.
So far this week I have been catching up – or trying to, after our time in the US.
I mentioned that everything was green and therefore a shock after seeing the intense fall colours in America. This was the first sight of our back garden and one of our cats.
It was still reasonably warm on our return, but I kept on my full length jeans.
Monday and Tuesday afternoon I did a lot of paperwork to catch up, but Tuesday and Wednesday morning I had my normal weekly botanical art classes. Everyone was very interested in the trip we had taken and most particularly in the catalogue from the Hunt Exhibition. Hopefully the catalogue will be motivational for some of the students.
At last on Wednesday I was able to get back to painting my crab apple series. Whilst we had been away, the Malus Golden Hornet crab apples had swelled up (luckily it has rained a little since we were away) and turned yellow. The apples are not fully ripe yet, but as this was the only painting where I had done no apples at all and very little preparatory sketches, it was the one picture I was most concerned about.
I had in fact actually started the painting before we went away. I had done a composition and finished most of the leaves, placing the apples roughly in accordance with measurements taken two years ago when starting the series. However, this year there has been little rain during the summer months and the fruit were not as big as originally allowed for. That aspect of the painting had to be sketched anew. A photo from the Malus Golden Hornet.
On Thursday morning it started getting really cold here (relatively speaking) and a wind was building up. The Malus Gorgeous, a lovely little tree near our front door, has quite big deep red crab apples. They were beginning to fall off the tree. Although I have painted a composition with this apple several times, I had started a different composition. I again have done most of the leaves, but need to paint the apples. The Malus Gorgeous.
I felt it was now important to do a list of the pictures, detailing what was missing on each one and the urgency of each element. I don’t want to miss an important phase in the development of each apple because I was concentrating too much on one of the..
My Malus John Downey tree now has only three apples left on it. It didn’t do too well this year. I still had five apples to paint in the picture! I decided this was a priority. I can wax lyrical about the beauty of this tree, but I will save this for another time.
So, now I have been rescuing crab apples to paint their portraits in the relevant picture and yesterday managed nine hours on John Downey. My husband went out in the evening, so I could do what I enjoyed best – paint.
I haven’t got new pictures of this painting, but here you can see the notes from my flower dissections in my sketch book. Peeking out from under the sketchbook you can just see some completed leaves on a branch contain gripe crab apples.
Today, Friday, I have only had a couple of hours painting as we had to travel to Bristol for a meeting with other tutors from London Art College (LAC). I am the Botanical Art Tutor for LAC which is a distant learning course. If you are interested in this, have a look at their website. It is a good course.
We have just had two very successful weekends with the Summer exhibition and open studio.
As this is not part of an overall open studio event, just something we have decided to do for the last four years during the summer break(!), we don’t expect loads of visitors – only those particularly interested in botanical art. Our expectations were met on that score, but exceeded in other ways.
I like everyone else has had to keep a tight reign on finances during the downturn and many times I wondered if if I was silly either having an exhibition or keeping one or two classes going. However, people have been faithful, students have continued and customers have kept on coming. I noticed during the last two weekends that things are definitely picking up. We were told so on the news and this was enforced through my customers.
Thank you to all those who came and showed such Interest.
I am now working my socks off to prepare for a fair this coming weekend. It will be at Folkington Manor, on the A27 between Lewes and Eastbourne. Just follow this link to get information about what it is and where: Folkington Manor Antiques & Fine art Fair. There seems a lot of interesting things going on there, so that it should be a fun family day out. I hope to see you there. Please make yourself known to me when passing. I am in the Flint barns where the Auctioneer Michael Hogben will be giving free evaluations.
Next week we are taking some pictures up to Patchings for the UK Coloured Pencil Society annual exhibition. If you are interested in coloured pencils, then go and have a look at the exhibition between 1 September and 6 October. I hope you are interested as I have done a lot of things on this blog in relation to coloured pencil.
3 September I will be doing a demonstration in using coloured pencil with botanical art, for the Midhurst Art Society. It would be fantastic to get more people interested in both using coloured pencil as an art medium and botanical art and illustration in particular.
I love what I do and I feel so blessed that I have been given this gift and that I can practice it and have the ability to teach and enthuse others (or so it seems).
However, where is the painting?
I am also writing some tutorials (again coloured pencil in botanical art), for the London Art College where I am a tutor. Up until now they have only used watercolour for botanical art, but once I have got the tutorials finished this opens up the opportunity for those who want to use CP. Yes, I also have assignments to mark and I find this fascinating. People put such a lot of effort into improving their skills. it’s amazing being part of it.
So where is the painting?
Not long until I go to the US for the opening of the 14th international exhibition of Botanical art and illustration at the Hunt Institute of botanical documentation, Pittsburgh. My picture Magnolia x soulangeana: Maturing Blooms is part of the exhibition until December, when it will go on a three-year tour of the US until the next International exhibition.
Whilst in America, the American SBA has their conference at the same time, so I will be taking part in that too. The Hunt and the ASBA paper toy work together on coinciding this event so that participants in either the exhibition or the conference benefit from both. During this, I will be on a panel discussing botanical art and how I do it!
So the painting. Burning the candle at all of its ends, I am now working on the Malus ‘Gorgeous’ for about the fourth time! But, I am doing an entirely new composition. I have decided that the ‘Gorgeous’ ones I had already done, didn’t go with the other ones as a series. Hopefully I will get the series finished so that I can exhibit with the RHS next year.
I think this is enough for now. I’m sorry that there is so much reading and no pretty pictures this time. I’m afraid I had too much to say.
GAYNOR'S FLORA 