Chichester open studios art trail last weekend

Yesterday I was in London at the SBA annual exhibition opening. It is well worth seeing and there is a lot of good botanical art. You will need plenty of time, but luckily you can stop now and again and get a cup of tea – or coffee, in the cafe in Westminster Central Hall.

Tomorrow is the start of the last weekend with Open Studios art trail . I understand that the weather here will be really good tomorrow after all. We have been hearing all week that it was going to be especially bad tomorrow, but it looks as though this will happen overnight.

Luckily, if there is any rain there is no problem coming in to see me with wet clothes and shoes and it would be an opportunity to dry out. However, I can imagine that at some venues they might struggle.

I look forward to seeing you either tomorrow or Sunday. My watercolour picture is coming on leaps and bounds. I think I might use the ‘template’ for my coloured pencil demonstration on Tuesday at the SBA exhibition. It would be a good comparison between the two media.

I am showing you some pictures of my gallery this weekend. It is only a glimpse, but you will be able to see the pictures properly when you come. I’m sorry that all those of you who live abroad will not be able to make it.

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Society of Botanical Artists (SBA) at Westminster

First the RHS exhibition, then Chichester Open Studios – which is on again this coming weekend, and the SBA exhibition at Westminster Central Hall. Next week I will be talking about the Society of Floral Painters (SFP) annual exhibition being held in Chichester.

Normally the SBA exhibition is in April and it is a little easier for a Botanical artists to plan things. But this year, the SBA were only able to book their normal annual exhibition space in Westminster from tomorrow onwards. The private preview and opening of the exhibition is to be tomorrow between 11:00 and 19:00.

The official opening and prize-giving will be by Dr Nigel Dunnett, Professor of Planting Design at the University of Sheffield at 15:30. Although this is a little late, if you would like a formal digital invitation, please contact me  this evening through this blog and I will send one immediately.

The annual exhibition in Westminster is an open exhibition and is also to encourage those who paint botanical art to take part with a view to becoming members. Membership is dependent upon having a full quota of pictures being accepted for the exhibition, three years running. But, far from being a mountain to climb, seeing the pictures at the exhibition motivates many artists and helps to concentrate their minds on this particular challenge.

The exhibition usually has a lot of very beautiful botanical art. I remember the first time I went to the exhibition, I was enthralled! I don’t know how better to express what I felt. It is worth a visit if you are in London or want to take a trip up to the capital. I am going to the opening tomorrow.

I have four pictures that will be exhibited this year. Two are in pen ink and two in coloured pencil. I will be interested to see how the pen & ink pictures will be accepted as I have not exhibited anything similar previously. Additionally I will be demonstrating coloured pencil all day on Tuesday 13th May next week. Do come and see and hopefully get a feel for how I use the medium. Maybe I can tempt you to want to try using coloured pencil in your botanical art.

 

The SBA Annual Open Exhibition
The SBA Annual Open Exhibition

Chichester Art Trail

The Chichester Art Trail happens every May and generally includes Bank holiday Monday in the first weekend. That is what has happened this year too and we are again open to the public.

Essentially the criteria for this art trail is that you open your studio to the public so that everyone can see you at work. Unfortunately this doesn’t always happen. And, in fact I am told that very few people are actually working at their art. Therefore , it seems that people are very pleased when they arrive at our ‘venue’ (sounds a pretentious word doesn’t it?). That’s why I call the shed the shed – because it is and was a shed. Actually, it was a loose box, so a shed is an upgrade. But as ever I am off on a tangent.

We have had a steady trickle of people since Friday evening. We, and the other artists in Bosham, had a Pimms preview evening for people who live in Bosham.  It was quite tough getting everything ready in time, but it was fun once we got there. The people of Bosham did as requested and either turned up on their bikes or ‘Shank’s pony’. For those who are not English, this means ones own two legs.

The first day – Saturday- went well enough once everyone had got their weekend shopping out of the way. The weather has been absolutely supper. The sun has been shining and it is very pleasant. This means I have been able to sit working in the shed with the door open ready for visitors. Yesterday went very well. In fact the first Sunday is usually the best day of the two weekends. With any luck, in writing this the statement will prove me wrong.

In Bosham there are 15 artists in 11 locations – which tells you that those who share are not able to show their own working environment. As one can’t go any further than the sea when getting to see us (we are about 200 metres from the inlet), we are the last one on the Bosham part of the trail.  This means that many drop off the trail before getting to us as there is so much of interest on the way – that is unless they have specifically chosen our place.  However, we still get a few who want to see as many artists as they can and that gives me a real opportunity to get people interested in botanical art.

Our set-up is that we have a gallery of my pictures in the conservatory (where I normally have workshops). My husband mans this area as he loves talking to the people that come. I am working in the shed so that people can see what I do and ask as many questions as they want to. Mulling over the questions I have had, perhaps I have chosen the wrong medium that I am using in the shed. I chose to do some purple irises in watercolour as I haven’t used that medium in a whole painting for some time.

The conservatory (Gallery for the day)contains the RHS Silver Gilt medal Crab apple series, which is in coloured pencil and attracts a lot of attention, but also some of the Magnolia x soulangeana series in watercolour that I did as an RHS exhibit in 2011. Visitors are astounded when my husband tells them that the crab apple series is in coloured pencil and therefore they are asking about the coloured pencils all the time. There seems to be less of a thrill about watercolour, although a fair amount of interest as to how I achieved the iridescent purple of the Irises.

Visitors do love to see the artists working environment and ask questions about how they do things. That is why it is a shame to hear that very few make themselves available to do this.

Before I finish this blog, there are two things I must mention. The open studios art trail is open next Saturday and Sunday between 10:30 and 17:30. You can find my address on my website: http://www.gaynorsflora.com . Additionally, I have places on my next workshop ‘A page of flower heads from the garden’ – May 29th – 31st. Now I am going to show one or two pictures of my working environment and on another occasion I will show you what I have been working on this weekend and the ‘gallery’ in the conservatory where

My workspace - in the 'shed'
My workspace – in the ‘shed’
The shed!
The shed!
At work.
At work.

I have the workshops.

Open studios and open invite

Very briefly I will mention the workshop at Goodnestone Park Gardens. As always they are lovely hosts and we had a large airy room to do the workshop.

The workshop went well and again there were some lovely students who worked really hard. I noticed that by the end of the first day they wondered what their results would be like, but at the end of the two days all were happy with their work and felt they had learnt something new.

Unfortunately, I forgot to take any photos to embellish this page, so you will have to imagine deep red Peonies, clematis and Wisteria. None of which are simple plants.

At the moment there is a mess all round me. This weekend we are taking part in the Chichester Art trail. Essentially, it is open studios. Here in Bosham there is quite an enclave of artists, so many people choose to spend one day in this area. Bosham is a lovely place anyway and we do have a lot of visitors generally. This is an extra good excuse to visit the area.

As usual we are setting up a gallery in the house, but I will also be working in the studio. This usually attracts many questions and people who were not initially interested in botanical art, have succumbed. I don’t think I have talked them into the ground, but many have obviously become interested in a subject they knew little about before.

Anyway, I don’t think you want any pictures of this mess until it’s been sorted out and pictures hung where they are meant to be. If you have the opportunity, I do hope you will plan a trip to Bosham either this weekend (which includes the Monday bank holiday) , and next Saturday and Sunday, it will be 10:30-17:30 each day.

In the village there will be loads of signs and balloons marking the spot. I am number 14, so you just need to follow the signs.

See you here!

Back to the Easel

For a short time yesterday and a lot of today I was able to get back to my easel.

Because of all the preparation to the RHS, I haven’t done anything since the middle of March. It feels such a long time. But I returned to a picture I had already started.

I will show you a snapshot of it at the end of this blog. It is a picture in pen & ink. Initially it looks complicated, but as it’s in monochrome this simplifies. Additionally, I feel that when I am using this style of pen & ink work I can relax a little more than I normally do when painting. Although I stay true to what I have in front of me, I feel I work a little less tightly. The difference between botanical art and botanical illustration.

The flower is a Hydrangea with quite large bracts. My husband bought it for me a few months ago and it dried beautifully on the stem. I felt that it would be lovely in ink and a suitable challenge at the same time. You will be able to determine if I have been successful or not.

After the problems that I had with my website following the RHS, my daughter in Norway decided that enough was enough. She is in the process of designing me a new one, which she feels will be easier for me to maintain. It will obviously take a while before this is up and running as she is fitting it in between other projects. I just hope that she doesn’t mind me mentioning it at this early stage.

On Monday I am off to Kent to teach a workshop for two days. It is a lovely place to go. Goodnestone Gardens not far from Canterbury, is a peaceful place. There is a walled garden and we are allowed to pick whatever flowers we want – including a lot of lovely Auriculas. They always tempt me, but whether I will even have time to start one is another matter.

This year I have three different workshops at Goodnestone. If you want to join us, get in touch with Field Breaks who arrange these botanical art workshops.

My next workshop in Bosham on the south coast near Chichester, is 29 – 31 May. If you are interested in that one contact me via my website which is working at the moment, or by responding to this blog.

My Hydrangea in Black and white.

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The day after the night before (RHS botanical art exhibition)

Last night I slept like a log. I stayed in bed this morning and even had breakfast there. Lazy! My face is a little less swollen, but more purple!

Today has obviously been used to clear up a bit. I tried to stay out of the shed but had to prepare a couple of paintings to be exhibited at the Oxmarket Centre of Arts in Chichester for the next couple of weeks. This is a sort of preview to the Chichester Art trail at the beginning of May in which I am taking part. If you are able do visit the Oxmarket, do. But even better if you are able to come to my Open studios the first two weekends in May.

But, there is no peace for the wicked and I will be having a workshop on Tuesday and Wednesday this week. I went to the garden centre to pick up some plants in preparation for this. What an incredible assortment at the moment. I am sure everyone will find something that they will be thrilled to paint.

Anyway, I am going to show you one or two of the RHS exhibits over the next few blogs – except for when I send pictures of the workshop. I won’t be able to show you something of every exhibit as not everyone gave permission for me to show their picture on the blog.

I expect that you are wondering whose exhibit I am going to show now. It is Bee orchids by Louise Lane. Louise got a Gold for her exhibit. In addition to her final pictures she also included her initial sketches showing exactly where they were done.

!

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Last day of RHS botanical art exhibition in London

This is a very short blog as I am finished. I intend to write a little more tomorrow.

Normally at the end of an exhibition you are tired but exhilarated. I am exhausted and although it is a happy culmination of three years work, as you who have read my recent blogs will know, it has been eventful for me.

I met so many people today. Many who were so immersed in the paintings that they didn’t notice my face, others who were embarrassed and didn’t know what to say, and a few who either asked outright or commented that I had Been clever at matching my jacket to the colour of my face. It didn’t look good. In fact the bruising is now even under my chin. But my face only looks bad unless I touch it. My arm feels bad.

It was so good to meet so many interested people today at the RHS exhibition. It really helped to take my mind off things for a while. Quite a few people were very surprised to find out that my Crab apple pictures were in coloured pencil and not watercolour. Hopefully I can encourage more people to start using it as a serious medium.

It was lovely having the opportunity to meet so many other botanical artists from all over the world. The whole botanical art environment seems like one big family. People I met at the RHS when I exhibited in 2011, I met up with again in Pittsburgh at the opening of the Hunt Institute exhibition; who in turn introduced me to new faces (British and American) that I met again here at the RHS in the last few days. I had been introduced to the idea of the Hunt(Pittsburgh, USA) by an Italian artist when I exhibited in Lucca, Italy.

It is a very small world and I am very lucky – and happy.

This picture was sent to me by Alena Lang Phillips, who I met for the first time today – but have corresponded with via this blog. Thank you Alena. You have done a good job of making me look almost normal!

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RHS Botanical art exhibition in London today.

Apart from my news about an unusual and unforeseen start to a day, that should have been the culmination and relaxation after 2 1/2 years of preparation work, I have little to report.

I had intended spending all the day with my pictures to answer any questions people might have. I’m afraid that this afternoon after my return from hospital, I wasn’t very focused and kept on wandering away to view other peoples work.

I got to see what awards had been won and I would have liked to show them here, but the pictures I actually took were too late in the day to ask for permission to put on this blog. So sorry, there will be nothing to liven up this bit of writing!

Although we were told as a group that the pictures this year were of an unusually high standard, there were few golds. I understand that they did this on purpose as an adjustment because the standard has gradually increased from year to year. They were certainly more strict than I have seen them previously.

Regarding the feedback I got, I was happy with their comments as these coincided with my own thoughts on the pictures. I learnt one new and important thing, the botanists were not happy with the elements ( normally stamens) where I had drawn a scale at an angle. It must be either vertical or horizontal.

Otherwise, I understand they were very happy with my painting. One thing though, no-one realised until they were giving me feedback and read my labels, that it was in coloured pencil. They thought it was in watercolour. I asked if they would gave given me more marks if they had noticed this before – but no such luck.

Tomorrow is another day and the last one at the RHS this time around. Of course as I didn’t get my gold I will have to try again. Dogged determination.

Silver Gilt and black eye!

Sorry about the delay in letting you know at least my results.

I fell head first downstairs on my way into breakfast this morning. Ambulance called, hospital visit and several XRays later I’m back in the RHS halls feeling sorry for myself. But ver lucky as nothing broken. But can’t see properly as no glasses.

Anyway, I am pleased to say that I have crept up one step on the ladder towards Gold, an am told that I only just missed it.

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