Demonstration at SBA exhibition, Westminster

Yesterday was the last day of the Chichester Open Studios art trail. We had many interested visitors and several of you who read this blog. Thank you for coming so far. It was lovely seeing all of you, and an honour.

After finishing yesterday we obviously had to clear everything up. Take the pictures and screens down and pack everything away for the next show. This will be at the Stansted Garden Show in June; more about that another time.

But, today I have been hastily finishing off the picture of Irises in Watercolour, so that I can trace off a similar image to use for the coloured pencil demo tomorrow. I have made some adjustments to the tracing I used and I will tell you why at the demonstration – if you are interested.

A hint might be in the following pictures. Yesterday you saw the start of the picture with only two Irises of the three intended. I was waiting for the third flower to open properly before I drew it.

It will be good to see you in London tomorrow.

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Society of Botanical Artists (SBA) at Westminster

First the RHS exhibition, then Chichester Open Studios – which is on again this coming weekend, and the SBA exhibition at Westminster Central Hall. Next week I will be talking about the Society of Floral Painters (SFP) annual exhibition being held in Chichester.

Normally the SBA exhibition is in April and it is a little easier for a Botanical artists to plan things. But this year, the SBA were only able to book their normal annual exhibition space in Westminster from tomorrow onwards. The private preview and opening of the exhibition is to be tomorrow between 11:00 and 19:00.

The official opening and prize-giving will be by Dr Nigel Dunnett, Professor of Planting Design at the University of Sheffield at 15:30. Although this is a little late, if you would like a formal digital invitation, please contact me  this evening through this blog and I will send one immediately.

The annual exhibition in Westminster is an open exhibition and is also to encourage those who paint botanical art to take part with a view to becoming members. Membership is dependent upon having a full quota of pictures being accepted for the exhibition, three years running. But, far from being a mountain to climb, seeing the pictures at the exhibition motivates many artists and helps to concentrate their minds on this particular challenge.

The exhibition usually has a lot of very beautiful botanical art. I remember the first time I went to the exhibition, I was enthralled! I don’t know how better to express what I felt. It is worth a visit if you are in London or want to take a trip up to the capital. I am going to the opening tomorrow.

I have four pictures that will be exhibited this year. Two are in pen ink and two in coloured pencil. I will be interested to see how the pen & ink pictures will be accepted as I have not exhibited anything similar previously. Additionally I will be demonstrating coloured pencil all day on Tuesday 13th May next week. Do come and see and hopefully get a feel for how I use the medium. Maybe I can tempt you to want to try using coloured pencil in your botanical art.

 

The SBA Annual Open Exhibition
The SBA Annual Open Exhibition

Last day of RHS botanical art exhibition in London

This is a very short blog as I am finished. I intend to write a little more tomorrow.

Normally at the end of an exhibition you are tired but exhilarated. I am exhausted and although it is a happy culmination of three years work, as you who have read my recent blogs will know, it has been eventful for me.

I met so many people today. Many who were so immersed in the paintings that they didn’t notice my face, others who were embarrassed and didn’t know what to say, and a few who either asked outright or commented that I had Been clever at matching my jacket to the colour of my face. It didn’t look good. In fact the bruising is now even under my chin. But my face only looks bad unless I touch it. My arm feels bad.

It was so good to meet so many interested people today at the RHS exhibition. It really helped to take my mind off things for a while. Quite a few people were very surprised to find out that my Crab apple pictures were in coloured pencil and not watercolour. Hopefully I can encourage more people to start using it as a serious medium.

It was lovely having the opportunity to meet so many other botanical artists from all over the world. The whole botanical art environment seems like one big family. People I met at the RHS when I exhibited in 2011, I met up with again in Pittsburgh at the opening of the Hunt Institute exhibition; who in turn introduced me to new faces (British and American) that I met again here at the RHS in the last few days. I had been introduced to the idea of the Hunt(Pittsburgh, USA) by an Italian artist when I exhibited in Lucca, Italy.

It is a very small world and I am very lucky – and happy.

This picture was sent to me by Alena Lang Phillips, who I met for the first time today – but have corresponded with via this blog. Thank you Alena. You have done a good job of making me look almost normal!

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RHS Botanical art exhibition in London today.

Apart from my news about an unusual and unforeseen start to a day, that should have been the culmination and relaxation after 2 1/2 years of preparation work, I have little to report.

I had intended spending all the day with my pictures to answer any questions people might have. I’m afraid that this afternoon after my return from hospital, I wasn’t very focused and kept on wandering away to view other peoples work.

I got to see what awards had been won and I would have liked to show them here, but the pictures I actually took were too late in the day to ask for permission to put on this blog. So sorry, there will be nothing to liven up this bit of writing!

Although we were told as a group that the pictures this year were of an unusually high standard, there were few golds. I understand that they did this on purpose as an adjustment because the standard has gradually increased from year to year. They were certainly more strict than I have seen them previously.

Regarding the feedback I got, I was happy with their comments as these coincided with my own thoughts on the pictures. I learnt one new and important thing, the botanists were not happy with the elements ( normally stamens) where I had drawn a scale at an angle. It must be either vertical or horizontal.

Otherwise, I understand they were very happy with my painting. One thing though, no-one realised until they were giving me feedback and read my labels, that it was in coloured pencil. They thought it was in watercolour. I asked if they would gave given me more marks if they had noticed this before – but no such luck.

Tomorrow is another day and the last one at the RHS this time around. Of course as I didn’t get my gold I will have to try again. Dogged determination.

Silver Gilt and black eye!

Sorry about the delay in letting you know at least my results.

I fell head first downstairs on my way into breakfast this morning. Ambulance called, hospital visit and several XRays later I’m back in the RHS halls feeling sorry for myself. But ver lucky as nothing broken. But can’t see properly as no glasses.

Anyway, I am pleased to say that I have crept up one step on the ladder towards Gold, an am told that I only just missed it.

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Day 1 of the RHS Botanical Art Exhibition

It has been a strange day with quite a few disappointed botanical artists. But, the artists seem to be a lovely group of people and are going with the flow.

Our pictures were judged this morning and it seems they took longer than usual. We (the artists) waited patiently outside until they were finished. Whilst we waited, it transpires that the majority thought we would be going into the hall to find out how we had done. Few had been told that we wouldn’t find out until tomorrow. Unfortunately again, the artists think that ‘tomorrow morning’ means first thing in the morning – not midday when we I have been told we will get the results!

When we went into the hall we were asked to man our exhibits as the guests for the annual awards lunch arrived for drinks. Once they had sat to lunch we were then free for the afternoon until the preview evening. This started with a reception to welcome the artists, whilst willing friends and family manned our exhibits.

Unbeknown to us, whilst in the reception a Japanese drumming group entertained the first guests to see the exhibition preview. However, we soon heard about it when they started up their performance again shortly after our arrival back in the Lindley Hall. I expect they were a very good group, but unfortunately not in an enclosed building. It was a huge amount of noise and I’m afraid many people left – both exhibitors and people visiting the preview. I don’t think the evening picked up fully again after this – unfortunately.

Eventually the drumming was stopped and were able to talk to a few visiting the show. Additionally we got to know our botanical artist colleagues a lot better.

I don’t think that there will be any musical accompaniment tomorrow, and I am glad to say we should be able to actually talk to those interested in our art.

Rather than show what I have done this time, I will show you what a couple of other artists have done. I have asked their permission to share this with you.

The first is from Sharon Tingey with a picture from her series of Sunflowers. I’m afraid that my photo doesn’t really do it justice as my phone was running out of puff.

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The second picture is of Jane Fisher and her series of graphite pictures showing corn in a very contemporary manner. Jane is from the USA and I met her when exhibiting at the Hunt Institute of Botanical documentation. It is nice to see her again here in London at the RHS.

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As you might understand a lot is going on here and as you can see there is a lot of interesting work. Do come!

Tomorrow, around lunchtime we get the results of the judging.

Last day in Pittsburgh

The last day of the conference with the ASBA. It is sad. I have made a lot of new friends here from all over America, Canada, the UK, Australia and South Africa. There has been such a wealth of experience here that I am tingling.

As I have been so involved with the Hunt Exhibition, I have only been able to dip in and out of the ASBA conference. But today I went to the lectures. Unfortunately, I have been unable to go on any of the workshops, but I am happy having had the opportunity to talk to so many people.

First thing this morning there was a lecture from people from the Phipps Botanic gardens. The talk was about how they are trying to bring knowledge of plants to the people. Three of the scientists gave us a small glimpse of their everyday. It was about bringing knowledge of the environment to young people who are unlikely to even get to see a big park or open space.

For example, growing veg in window boxes as they don’t have gardens. Or, how the bugs they see in between paving stones are affected by chemicals in the environment and by the vegetation growing there, however minute. We also heard about research into the impact of chemicals on fertilisation and then the bugs and bees that carry out the fertilisation process. There are plants that can remove chemicals from the soil and, then in turn the chemicals can be extracted from those plants (phytoremediation). But as everything is in an environment depending upon each other, they have to check that curbing problems in one area doesn’t create problems in another.

The last person we heard from was trying to find a cure for Parkinson’s. This involved talking to people where it is common to find plants are used as treatment and then researching the properties of those plants. Many cures for cancer have been found in this way, such as Yew for breast cancer and the early treatments of cancer with moss growing in the mountains in Norway.

My husband sneaked in on this lecture and then spent the rest of the day at the Botanical gardens.

One of the final statements was that Botany is dying. But we have only ourselves to blame for that. Apparently in ordinary biology books, one will see a picture of an insect on some plant material. The discussion about the picture is most likely to only be about the insect and not the plant or perhaps the dependence each has upon the other. Important topics.

Pictures my husband took:

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Another lecture we had was about How to start a Florilegium. We were lucky to have four people who had been responsible for co-ordinating projects. These included the Brooklyn Botanic Garden Florilegium, the Eloise Butler Wildflower garden Florilegium in Minneapolis, the Filoli and Alcatraz Florilegiums and the Highgrove Florilegium. It is quite a job managing such important bodies of work.

I’m afraid I have no photos showing any of these Florilegia!

The last lecture I went to was with Lugene Bruno, the Curator at the Hunt. The topic was ‘Beyond Accuracy’. She was talking about the art behind the botany. It was a very interesting and encouraging talk. It also inspired some ‘warm’ discussions. What is the difference between Botanical art and Illustration. Also, how much leeway is given before it becomes Flower painting. However, there was agreement that there was room for all disciplines in appropriate circumstances.

Tonight we had the hidden bid. It is a very good way to raise money within the ASBA for projects within the organisation. Some lovely donations were made by the artists and it obviously created a lot of excitement.

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To complete the days, we had a lovely dinner before going our separate ways for a while.

Before I finish off today, you may remember I me tensioned the Cathedral of Learning in Pittsburgh. This is a picture My husband took from the inside. Remember, it was built for the purpose of housing the University of Pittsburgh and for no other reason.

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Friday in Pittsburgh

I don’t really know what ‘Homecoming’ means in the American University town environment, but I am sure the city put all this entertainment on just for us!

Today has been – what can I say – spectacular.

Last night I wrote to each of the other three Society of Botanical artists (SBA) (the UK version of the American one – ASBA), who had their paintings accepted at the Hunt this year. I sent each one a photo of their work hanging in situ. I have also asked if I can include their pictures and names on this blog. I have to admit, not all replied to my last request, so I have jumped the gun a little. But, their work is now in a prestigious place for all to see. Before I mention their names and show their pictures, I have a comment.

The Hunt have their international exhibition every three years only and, about 41 artists have work selected. To have four of us from the same organisation have our work selected, says something positive about the organisation. I know that the SBA has done a lot towards my development as a botanical artist.

The other three are:
Charlotte Linder

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Gael Sellwood

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Roberta Mattioli

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You have already seen my work in yesterday’s blog.

But, talking about prestigious, we were allowed a special viewing of pictures we wanted to see from the Hunt collection. First and foremost is the fact that our pictures are in the same collection as Rory McEwen! I can’t believe that. I saw two of his works – without glass between the picture and me. His work is perfect. I also saw work by Ehret, Redoute and several other fantastic artists.i was also amazed at the number of paintings on vellum. I think that the pressure I have got from friends here, means that I now have to bite the bullet and try using it.

I will stop going on about all the pictures I saw as I might bore everyone else to tears. It was a huge highlight though, and I feel as though I am floating with the excitement of it.

This afternoon was the talk given by five of the artists whose pictures were accepted. I was one of the five. It wasn’t bad at all as everyone was so interested. It was incredible to see that each of us had a singularity of purpose towards our botanical art and that some of us had fairly similar habits. Although there was a lot that divided us. At least my husband now knows that I am not unusually weird – it goes with the territory!
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I was at a talk this evening, but as it ran late and I had a prior appointment, I had to leave early at 19:30. We again met my friend from nursing school and went out for a lovely meal. She explained to us a little about how food is ordered and shared out in America. It made much more sense. We had tried to eat two different things the night before, leaving a lot of it and still feeling too stuffed.

Towards the end of the meal, there were some huge explosions. We knew that something had been going on outside as there seemed to be a lot of prep for some festivities and loads of students were out and about. Everyone rushed out ( the waitresses didn’t try and get us back in as we hadn’t paid our.bill yet), and we watched an incredible (a lot) fireworks display. Most of it came from one side of the campus with short breaks allowing short,sharp bursts from the opposite direction. The sharp bursts were directed up the side of the Cathedral for Learning. This is an impressive building looming very high upwards. It looks like a cathedral but seemed never to have been intended for other than learning. The fireworks lasted over 30 mins and I am not exaggerating. They could be felt reverberating through you.

After they had finished we went back into the restaurant to pay the bill. At no time had the waitress come out after us. Very trusting.

We had a lovely time with my friend and I thanked her for putting on such a display for us!

To finish off. On the way back to the hotel, we saw a ‘sight’ crossing the road. There must have been about 30 pairs of legs crossing the road. They were LEGS. The type that stretch from ground to armpit – on hiiiiiigh heels. I have to say that I gawped as well as my husband. They were an impressive sight. Sorry, no pictures!

Thursday in Pittsburgh

A busy and exciting day. This is the first full day of the ASBA annual conference and the opening of the Hunt’s 14th International Exhibition of botanical art and illustration.

This morning started off with a Portfolio session where many members lay out their work for query, comment and I suppose critique. There was a huge variety of styles and it was very interesting. Many had done their work on vellum, but there were other techniques too. I was encouraged to try vellum although it is extremely expensive. Also suggested that I use the sort available in the UK as this is the best.

I am told that the latest ASBA magazine has a very good article on how to paint on vellum. For people out there who paint botanically, I recommend that you join this organisation. Membership has quite few benefits.

I saw some beautiful silver point work, and some very good pen and ink work. I wish I could describe some of it as it is obviously a new technique to try and learn. Unfortunately I didn’t take any pictures.

Towards the end of the Portfolio session I went to a talk on the history of Vellum. Unfortunately, it was more a history of the family who produced Vellum in the US. Parts of it definitely were interesting, but I feel that I know little more now than I did before I went into the talk.

We had a long lunch combined with AGM.

The afternoon was filled with a techniques showcase. Three different artists with three different techniques and materials demonstrated for us. The topics were Graphite, watercolour and coloured pencil. They were very good. Although other workshops were going on at the same time, the auditorium was pretty well full of interested artists.

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Then the opening of the Hunt Exhibition. Several school buses picked us up at the hotel and drove us to the Hunt. We went to the top floor (walked!), where we were greeted with nibbles and punch. A friend of mine who started nursing at the same time as me 50 years ago in Set 231, now lives in Pittsburgh. She came to hep celebrate with her neighbour.it was lovely having them there too.

All the pictures were hung in a large room and some speeches were made to open the exhibition. Unfortunately I can’t repeat what was said as you couldn’t hear. But a good time was had by all, even when the fire alarm evacuated the building.

We were turfed out into the balmy evening air, but it didn’t deter any conversation.

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