Pen & Ink workshop starting on Thursday

On Thursday this week I will be having a workshop using Pen & ink.

Following the Sarah Simblet workshop in July, my students asked me to show them her technique. Obviously, although I studied Sarah’s technique, I use it in my way.

Going on a workshop doesn’t mean that you have to incorporate the teacher’s technique 100% when you finish the course, but that you use what you have learnt and incorporate some of it into your own way of working. That is why no botanical art teacher is absolutely right or absolutely wrong. We are all different and emphasise different aspects in our work.

I advise students who come to me, to also learn what they can from other teachers too, so that they can develop their own style, using elements from all they learn.

Anyway, on Thursday and Friday I will be having several students who want to learn a pen & ink technique that is not dots.

During the last few weeks I have done a series of step-by-step pictures and these should give a better idea of what is needed at each stage of the picture. I realise that without further instruction these pictures will not make full sense. But, the last picture is the completed one.

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A drying Hydrangea.

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A botanical art workshop in Norway is coming

Would you like to do a botanical art workshop in Norway? Would you like to do this in Edvard Munch’s home town of Åsgårdstrand near Tønsberg in South Eastern Norway? Now is your chance.

Recently some of my students asked me to organise a summer painting holiday in Norway. I have been making enquires and this is very likely to happen from 29th June next year for one week.

The hotel in which we will stay lies on the coast along the Oslo fjord and the room in which we will be painting looks directly out onto the sea with east facing natural light. This is a fantastic time of year with long hours of daylight for us to enjoy.

Obviously, the intention is have a botanical art workshop, but I also want you to have time to relax and to look around the area. I have yet to arrange all the details, but I plan an afternoon tour of Edvard Munch’s home and studio where ‘The Scream’ was born.

Please let me know if you would like to join us as soon as possible as I keep my classes small so that I can give everyone the individual attention they need.

Hear are a few pictures from the beautiful area around Tønsberg, Nøtterøy and the islands in the area. Are they tempting you? Do the brilliant colours make you want to paint?

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Teaching at West Dean

Thus last week has been incredibly unexpected – and busy.

Last week my husband and daughter made quick decisions about moving her goods and chattels from Amsterdam to her new lovely home in Tønsberg, Norway. I was not too happy as this meant I wouldn’t see her new home -yet. But as I had classes, these were my primary responsibility and I couldn’t let my students down.

I remained at home licking my wounds, but consoling myself that I would have plenty of time to paint.

After a few days, I got a call from West Dean. They said it was a mercy call, asking me to step in for one of the teachers; a colleague whose work and techniques I know well. I made a few calls to re-arrange my own plans, and stepped in!

Obviously, before I arrived at West Dean I did worry a little about what I was letting myself into, but trusted that my friend had made notes of what she had planned. When I arrived, I met a really lovely, welcoming group of people and a programme.

Because the morning had been wasted, I worked with the group unto 21:15 to catch up so that they wouldn’t lose out on too much. They weren’t going to get the tutor they signed up for, but it was important not to lose out on more than this. By the way, the topic was about mixing colour in watercolour.

During the remaining days, I got to know the group fairly well and an extremely good time was had by all – at least as far as I could see. I enjoyed myself and as usual learnt a lot from them too. I stuck to the programme already laid out, giving the students the information and showing the technique that my colleague used. As can be expected I was able to make additional suggestions from my own techniques which they found useful.

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All very quick demos on the course.

Botanical art workshop – Autumn colours – in Bosham

Well, I mentioned that I was due to have a botanical art workshop from Friday until today. Are interested in how it went?

I have been allowed to take the following pictures and you can judge from these how it went. I and the people who came, would obviously be very interested in your feedback, so please comment.

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Some of the subjects.
As usual, we took a photo once the position of the subjects had been arrived at. As I have suggested previously, it is worth doing this as we are painting from living things and they change over time. If something wilts, we can replace that element and if we knock something out of position, we can re-arrange. We still paint from living subjects.

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Enjoying the company and the opportunity to paint.

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Glory tree – Coloured pencil

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Malus Gorgeous – coloured pencil

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Fallen leaves – Watercolour

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A pear plus Malus Gorgeous and Golden Hornet crab apples – Coloured pencils.

I think that you will agree that these are lovely pictures that are well on their way to completion. But, what is even more amazing is that some of the students had not done much in the way of their chosen medium previously and they accomplished so much in this one workshop. It was exciting to watch them develop. No wonder I enjoy teaching!