FORAGING PLANTS IN THE NORWEGIAN MOUNTAINS: FROM BOG TO SAND.

June 15, 2023October 29, 2023 | Gaynor's Flora

The title of my exhibit at the “RHS Botanical Art & Photography Show” is as above:

Foraging Plants in the Norwegian Mountains – From Bog to Sand.

Six of my watercolour and graphite paintings are exhibited by order of habitat starting with those growing in the wettest environment to those in the dryest. Seven paintings were completed not just the six, therefore it was a difficult choice to remove one of them. The second one shown below, the small cranberry, is not in the exhibition.

1. Rubus chamaemorus – Cloudberry – Multe
Watercolour & graphite on vellum.
August 2022

1) Habit
2) Male flower – 2a) LS Male flower
3) Female flower – 3a) LS Female flower
4) Fruit
4a) TS fruit
4b) LS fruit

2. Vaccinium oxycoccus subsp. microcarpum – Small cranberry – Små tranebær
Watercolour & graphite on vellum.
January 2022

1). Habit
2). Flower
3). TS fruit
3a) LS Fruit
3b) Fruit

3. Vaccinium uliginosum – Bog bilberry – Skinntryte
Watercolour & graphite on vellum.
December 2021

1) Habit
2) Flower pair
3) Fruit
3a) TS fruit
3b) LS fruit

4. Empetrum nigrum subsp. hermaphroditum Mountain Crowberry – Krekling
Watercolour & graphite on vellum.
January 2022

1). Habit
2). Flower
3). TS fruit
3a) LS Fruit
3b) Fruit

5. Vaccinium myrtillus – Bilberry – Blåbær Watercolour & graphite on vellum.
March 2022

1) Habit
2) Flower
3) Immature fruit
4) Fruit
4a) TS fruit
4b) LS fruit

6. Vaccinium vitis-idaea – Cowberry/Lingonberry -Tyttebær
Watercolour & graphite on vellum.
November 2022

1) Habit
2) Flower cluster
3) Fruit
3a) TS fruit
3b) LS fruit

7. Arctostaphylos uva-ursi – Bearberry – Melbær
Watercolour & graphite on vellum.
October 2022

1) Habit
2) Flower cluster
3) Fruit cluster
4) Single fruit
4a) TS immature fruit
4b) LS ripe fruit

If you have read the blog series you will understand that the Cloudberry and Small cranberry enjoy the wettest environment – bogs and marshes, whilst the Bearberry is often found on a sandy forest floor. The other species are found in various types of environment from damp woods to harsh mountain tops. Some, like the Bog bilberry will grow very well just about anywhere as long as it has water and plenty of sun.

All of the plants in this series live in the Subarctic part of the world and have always provided a lot of nourishment for those living in the far north, the rest of us a little further south and of course animals that roam the area.

Some of the plants typically don’t grow in certain areas as witnessed by the difficulty I had finding the Bearberry. In very hot and dry years some plants produce next to nothing; Cloudberry and Small Cranberry are good examples. Can you imagine the risk that Global warming brings to these plants as well as to us. The warmer the planet gets, the more further north these plants are likely to move making it even harder for us and the animals they support, to find them. As it is, plants that can normally be found further south in Europe, are now beginning to appear in Norway; their pollinators moving with them and having a negative effect on the species that belong.

When choosing to study and paint these plants I didn’t realise how much I would learn about them. I loved the plants (and their fruit) before this, but now have so much respect for them and the environment in which they grow. I hope that I have been able to pass on at least a smidgen of this.

Thank you for following this series.

Latest news: I am really pleased to say that following the judging process yesterday, 14 June 2023, the judges decided to honour me with a Silver Gilt medal. The award ceremony will be held this evening at the Saatchi Gallery during the preview to the exhibition opening tomorrow.

I look forward to getting detailed feedback about my exhibit from the judges this afternoon.

Foraging plants in the norwegian mountains – 20. Mountain crowberry Pt. 2

May 25, 2023May 10, 2023 | Gaynor's Flora

One day, I woke up to find that the male part of the flower which projects an anther over the flower, had been eaten off. I was lucky enough to find other buds I hadn’t noticed before and managed to keep the eating insects away until the stamens shrivelled up of their own accord. This allowed me to complete the picture as I had hoped.

Of course this process was so exciting that it kept me motivated to paint all the tiny leaves!

I used quite a bit of my sketch page information in the final artwork, even the small immature berries I had found when starting to sketch in July 2017 and the trial piece on vellum.

**Working out my composition and creating line drawing to trace over.**

When researching more on this plant recently, particularly in relation to its use in food, I discovered that although the berries are edible, apparently there is a potential for the leaves to poison the immediately local environment, making its own habitat more secure; the jury is still out on this question but it is wiser to leave the leaves alone.

But, the berries are fine and because the seeds are quite big and the skin quite tough, it is used mostly for juice, either cooked or raw. Additionally, it is suggested that whilst out walking in the mountains that picking and chewing the fruit is very thirst quenching. I will have to remember that.

One sketch I didn’t use in the final artwork was this one from my initial drawings. It is very interesting but, in some respects, didn’t give any more information to the final picture. It is an unripe fruit, enlarged (the original fruit was 5.3 mm across), containing the sepals , the remainder of the female flower and the shrivelled stamens. Compare this with the ripe fruit at the beginning of the previous blog where the same parts are also just visible.

The native range of this subspecies is Subarctic to Subalpine Northern Hemisphere including Great Britain and Norway. It is a subshrub and grows primarily in the temperate biome.
Source: Kew – Plants of the World Online

Having collected enough data and sketches, I started painting the final picture on vellum August 2021 and finished it January 2022.

recipies

Mountain Crowberry jelly

Crowberry contains little pectin. This means that it is difficult, if not impossible, to make Mountain crowberry jelly based only on the berries. To get Mountain Crowberry jelly stiff, mix the berries with other types of berries that are rich in pectin, for example lingonberries. It is also possible to mix with apples, which contain a lot of pectin or gelatine sheets.

3 dl raw mountain crowberry juice (see recipe below)

Juice of a lemon

1-2 dl water

6-7 sheets of gelatine

Soak the gelatine sheets for 5-10 minutes.
Pour off most of the water and dissolve them in a small amount of warm water.
Mix the cold Mountain crowberry juice, lemon juice and water.
Whilst continuously stirring, slowly and carefully pour the juice mixture into the melted gelatine.
Pour into clean small glasses.

This is an excellent accompaniment to venison.

Raw Mountain Crowberry juice

This is a fresh and colourful juice but not very durable, and requires a lot of sugar and a cold storage place. It is easier to freeze the juice in small portions and thawed when needed.

1 kg Mountain Crowberries – or the amount picked.

5 dl boiled and cooled water – equivalent 1:2 of berries

10 grams of citric acid – 25-30 gm per litre raw juice.

750 grams of sugar per litre of raw juice

Rinse and crush the berries well.
Put the berry pulp in a large bowl or bucket, and add pre-boiled, cold water and citric acid.
Leave the mixture covered and chilled overnight.
Pour the mass into a strainer and let the juice drain well.
Measure the amount of juice and add sugar.
Stir well until all the sugar has dissolved.
Skim and pour it into clean bottles/containers.

Can be mixed to taste with water – or something else.

The next blog will be 28 May 2023

Foraging plants in the norwegian mountains – 19. Mountain crowberry Pt.1

May 21, 2023May 10, 2023 | Gaynor's Flora

Visiting family at 1200 meters. The red leaves are *Arctostaphylos alpina* **-or Alpine bearberry and the berries also edible.**

**Just below the mountain top at 1100 metres. Mountain Crowberry, Red Lingonberries and autumn coloured Bilberry plants.**

Empetrum nigrum subsp. hermaphroditum, mountain crowberry in english or krekling in norwegian, is a very interesting species. But when you start studying plants, which one is not interesting?

But this plant created a lot of excitement for me – which I will describe.

As with the other plants in this series, I knew and recognised the plant but didn’t know much about it. To me it was a common plant as I have lived in the mountains here, and like many people took it for granted. Apparently, it grows well as long as it gets enough sun.

One part of my painting (see sketch) was a tiny plant from a mountain top 4^th July, with snow swirling around me. The plant was tiny in comparison to those growing in areas where there is plenty of nourishment, but it definitely shows how tough it is. The roots were buried into cracks in the rock.

As with the other plants in this series I used ‘Norges Flora’ by Knut Fægri to find out more. I would love to get hold of these books because although old, they contain so much information about each species.

It was in reading about the plant that I understood that there are two species of Empetrum nigrum, one is single sex and grows at sea level and low-lying areas, and the other, a subspecies, is hermaphrodite (the one I am painting). The leaf arrangement on the specimens I was using showed clearly that it was hermaphrodite; the distance between leaves is a diagnostic point.

After doing my research I looked at the plant more closely and was able to see vestiges of a dried up flower in a leaf axil. I also read that the fruit retains the stamens as it develops and found some of these too. You will see the remnants of these in the ripe Mountain crowberry above.

I have a piece of the plant in my garden and have been able to follow the plant’s development in detail. This was where the ‘Victsing’ lens for my mobile phone really came in useful as it helped to enhance the detail and let me see what was going on. I was also able to take loads of pictures underway.

In August 2017 the tiniest of buds started to appear in the leaf axils of that year’s new growth. I was able to follow the development on a regular basis, until the following spring when the same bud developed into the flower you see in my final artwork. I expect some of you may now understand why I got so excited.

The two pictures showing the growing tip of the plant were taken at different times. The first in August 2017 and the second in April 2018 – the same tip.

When I saw the tiny flower buds and recognised what they were, I initially thought that the plant was going to flower early and rushed out every morning to see what was happening. Nothing did until I saw the faintest slither of pink the next April.

I should have done more research! Because that is what a botanical artist needs to do; look, see and understand. I have learnt so much about plants since I started drawing them and this is the first thing my students comment; they learn to look and see! Funnily enough it makes walks in the countryside even more interesting.

I followed the same buds and saw them develop and open up into flowers that could hardly be seen with the naked eye. The flower when fully open is about 2mm across! But something had seen them, a tiny caterpillar!

I will tell you about what happened in my next blog due to be published 25 May 2023.

One picture shows the tiny developing fruit with the vestiges of the stamens still attached. The underside of the leaves seem to have a white line running though, almost like a vein. As you can see with the leaf cut in half, the white line is where the edges of the leaves roll under and meet each other forming a hollow tube.

Foraging plants in the norwegian mountains – 10. My working practice

April 20, 2023May 10, 2023 | Gaynor's Flora

Composition

Do these three pictures have good compositions? It is not easy for you to judge from these as composition is the area within the mount edge – the image and background.

Benton Iris ‘Farewell’ is Watercolour and graphite. The painting is part of the Cedric Morris Florilegium.
Dying Rosa rugosa is in Watercolour. It was one of the first paintings I did after returning to Norway. The sprig was sticking up above the snow, so it shrivelled quite fast.
Rhododendron impeditum is also watercolour and graphite. This picture is part of the Chelsea Physic Garden Florilegium.

Composition in botanical art is not necessarily very straightforward. As botanical art is ‘art’ it should have a main focal point that draws you into the picture. Once your eye is drawn into the picture, something needs to lead it around within that picture and prevent it from being lead off elsewhere.

On top of this, botanical art must be botanically correct.

**The first digital arrangement of my cloudberry sketches**

Combining the art and botany for each picture is hugely difficult particularly when you have different sections telling a story about a plant. Having a series of plants in separate pictures that elaborate the story compounds the problem.

To try and reduce the problem a little I started to arrange the pictures digitally. I scanned some of my sketches and moved them around within a 31 x 25cm area. It gave me something to think about when deciding what to include in each picture and how many more sketches I would need to get all the information I needed.

Scanning and arranging digitally gave me the opportunity to do something similar with my other species and the ability to compare them against each other. This composition looks nothing like the final one, but I kept rearranging until I was satisfied.

I worked hard to compose my set of pictures so that they looked a series. This can be quite difficult when some are from different families

Rubus chamaemorus – Rosaceae
Vaccinium oxycoccus Subsp. microcarpum – Ericaceae
Vaccinium uliginosum – Ericaceae
Empetrum nigrum subsp. hermaphroditum- Ericaceae
Vaccinium myrtillus – Ericaceae
Vaccinium vitis-idaea – Ericaceae
Arctostaphylos uva-ursi – Ericaceae

The first word in each species is the Genus name from which the plant is derived. Four are Vacciniums from the same Genus. Six of the plants are from the Ericaceae (heather) Family and you can see this by the similarity of the flowers. One is from the Rosaceae(rose) family, and the stipules on the leaves (tags at the base of the leaves) is a clear indication of this.

Deciding the enlargement was relatively easy with the plants from the Ericaceae Family where the fruit is comparable. But as everything was larger on the Cloudberry picture, only the scale bars can give the size.

My aim with all the pictures was to let people see and understand the incredible flora and edible fruit available in the mountains. Many look at plants and think them pretty, or know where to pick certain fruits, but not so many study the plant and understand how intriguing it really is. This is an opportunity.

What to include in each composition.

I went through my sketchbook and made sure that I had enough information about each plant to fit on my vellum, mounted on blocks by William Cowley’s. I didn’t want to overcrowd each picture.

The focus was the plant and its fruit, but one can’t do this without highlighting its flowers. I decided to introduce a picture of the flowers and fruit but restrict dissections to the fruit only. That is until I got to the cloudberry which was going to be the most difficult to integrate into the series. But it isn’t called ‘Mountain Gold’ for nothing.

In the end, all but the cloudberry picture included a branch enlarged and branches actual size to indicate habit. Each had an enlarged flower, plus fruit with both longitudinal (LS) and transverse sections (TS). These are the finished longitudinal sections from each fruit; the largest being the Cloudberry.

In the next blog I will be talking about my transfer process. This comes 23 April 2023.

Only Eight weeks until the RHS Exhibition at the Saatchi Gallery in London;

https://www.saatchigallery.com/exhibition/rhs_botanical_art___photography_show_2023

Foraging plants in the norwegian mountains – 7. History of the project

April 9, 2023May 10, 2023 | Gaynor's Flora

Above are the seven plants I chose with trial pieces on vellum offcuts.

The species I chose, with common names also in English and Norwegian

Rubus chamaemorus – cloudberry -multe
Vaccinium oxycoccus subsp. microcarpum – small cranberry – tranebær
Vaccinium uliginosum – bog bilberry – skinntryte
Empetrum nigrum subsp. hermaphroditum– Mountain crowberry – krekling
Vaccinium myrtillus – bilberry – blåbær
Vaccinium vitis-idaea – cowberry/lingonberry – tyttebær
Arctostaphylos uva-ursi – bearberry – melbær

I have listed the plants in the order according to the type of ground in which they grow – from boggy to sandy:

The cloudberry and small cranberry often found intertwined together in the boggy moss of a swampy lake edge.
The bog bilberry is more of a bush and guards the very marshy plants perching on rocks in the marsh.
The Mountain crowberry grows in various areas from rocky outcrops at the edge of a swamp, to tiny examples without much soil, clinging to the rock on mountain tops.
The bilberry and cowberry are generally in a similar habitat in damp woods and forests; the cowberry can be the main plant on an old wood ant heap often with bilberry and mountain crowberry.
Bearberry grows in sandy areas on the edge of forests or creeping down over smooth rock.

The next stage of this blog goes into my working practice for this series. After which I will talk a little about each of the species and how I painted the final pictures. I will use the above order of plants as I would love others to learn more about them, where to find them and their uses.

The next blog will be on 13 April 2023.

Foraging plants in the norwegian mountains – 6. History of the project

April 6, 2023May 10, 2023 | Gaynor's Flora

**My best view – Andersnatten at 23:00 in June.**

Anyone would think I am trying to sell Norway. I am, it is a fantastically beautiful country. The picture above is in Sigdal, the valley below Haglebu. It is the view we had from the house we built in the late 1970’s. It is from here that I learnt to love Norwegian flora.

In the previous blog I finished off by saying that I still hadn’t seen any sign of one of the two species that got me going with this series of plants. This was the Bearberry (Arcostaphylos uva-ursi). I had already found out that they were not known to grow in the county I now live – along the west side of the Oslo Fjord; In fact locals didn’t seem to know about the plant!

In 2017, that very first summer of sketching, I managed to do some sketches of each of the five species already found. This gave me a feel for the plants but I still needed to do a lot of research into them. I had found that the cloudberry is dioecious – the male and female reproductive organs are separated in two different organisms; each plant is either male or female. My girlfriend from whom we had borrowed the cottage that year, was not aware of this. But, it seems, she was not alone in this as it was a surprise to many Norwegians with a cursory knowledge of the plants around them.

There was plenty of mountain crowberry ( Empetrum nigrum subsp. hermaphroditum) in the area round the cottage. The crowberry is a family of plants that isn’t quite straight forward in that the species at lower altitudes is dioecious like the Cloudberry, but at this altitude in the mountains is more generally a subspecies called ‘hermaphroditum’. This means it carries both male and female reproductive parts.

Finding plants and choices in 2018

**The cottage at Flatvollen, near Haglebu. 906 metres over sea level.**

As I realised I was going to need quite a few years to complete my series with only two weeks at a time when we could get to Norway, we decided to rent a cottage at a higher level in the mountains. We looked at an area where I had used to go skiing when younger – Haglebu at the top of the Sigdal valley where it goes over the mountain then steeply down into the next valley. This time we found a cottage at 906 metres over sea level and I could see that I would be near the plants I intended to paint. Although I still hadn’t found the one plant I had been looking for.

In front of the cottage there was quite a boggy plain and I knew that I could get plants such as Cloudberry there. Behind the cottage was steep mountain and I knew most of the other plants would be available to me there.

We went for a short hike and explored. The marshy area was quite wet, but there were a lot of Cloudberry plants. Unfortunately, it was too late in the season to see any flowers but getting onto my hands and knees I got a real surprise. Weaving in and out of the boggy moss was the tiniest plant, with the smallest flowers and leaves. The plant was so insubstantial but lying on top of the moss were the remains of some red berries. This was Vaccinium oxycoccus Subsp. microcarpum (small Cranberry). The Cranberry bought in our shops is Vaccinium macrocarpum – large cranberry, and of course cultivated in large amounts in the US.

I had just found my 6^th plant, but still not the bearberry.

Below you see the small cranberry on top of the moss with sprigs of bog bilberry and mountain crowberry and a little Betula nana (Dwarf birch), often found as the last tree (no more than a low shrub) on the tree line.

**The tiny pink flowers of the Small Cranberry**

I had to remind myself that the reason for getting interested in this series of plants was because the bearberry often got mixed up with the lingonberry (cowberry), and this often happened at lower elevations. I needed to continue my hunt for the species.

We went hunting and eventually I found quite a few plants in a dry sandy forest area in the next valley. This was Arctostaphylos uva-ursi (bearberry). I now had my seven species, although one of them was not in the immediate area where I was collecting my samples. That is, until I found some very near the cottage, growing down a rock face.

**Finding the *Arctostaphylos uva-ursi* (bearberry)**

Foraging plants in the norwegian mountains – 5. History of the project

April 2, 2023May 10, 2023 | Gaynor's Flora

Since moving back to Norway there have been two bumper years for Cloudberry fruit and this is why we have so much in the freezer now.

But back to my sketches that were incomplete right up until last summer (2022). This plant in particular is not easy to find if you don’t know exactly where to look, and even then you might miss the right period of time.

We took a couple of long day trips into the mountains to look, and we eventually found what was missing. As well as a lot of driving, I extended the workday when I got back home. The flowers don’t last long and whilst I had them, I needed to dissect and sketch with measurements before going to bed.

The typical demands to a botanical artist. But luckily during the summer months we have a lot of daylight hours in southern Norway – in fact around mid-summer the sky doesn’t really go dark. Birdwatching at midnight is different to say the least! The picture to the left is Robin birdwatching at 5 mins past midnight on the 12 June – still over a week to mid-summer!

The lesson learned? Make sure when sketching that you have the where-with-all to measure various aspects of your plant and to make accurate colour swatches.

Equipment for sketching outside

As you will see from the pictures at the top, sketching on location can have various problems, from ants still defending their old anthill, a very hard bottom rest and a helpful cat.

The anthills in the Norwegian forests can be huge, but so too can the ants. They have a large territory to look after and a lot of old wood to turn into something future generations of trees and ants can live off. But they do have a painful bite! One often finds several of the plant species I was considering, growing on them. One often finds lingonberry, bilberry and mountain crowberry, well established on them. It also suggests what some of the ants transport to their home.

When I am out sketching in nature I minimise the amount of equipment I have with me. I try to keep everything in the same sketchbook and for watercolour use a Stillman & Birn, Zeta series. It has stood up well to the battering it has had and takes the watercolour washes well.

Normally I use a bum-bag when walking not too far and it will contain this kit:

Of course I go nowhere in the mountains without my mobile phone, but these days they are much more than a phone or safety net. The Victsing 3-in-1 mobile phone camera lens was introduced to me many years ago by Sarah Morrish and I use this to get the details not normally seen very well. In particular it enabled me to get a picture and draw the growing tip with flowers of the Empetrum nigrum subsp. hermaphroditum (mountain crowberry) . I keep a small piece of mm paper with it to measure within the photos.

My palette is an old one with the original student colours removed and replaced with artist quality colours. I use transparent single pigment colours and normally have a couple of yellows and Quin Gold, Permanent Rose, Perylene Violet, Purple, A cold and warm blue and this time a single pigment green.

The pencils preferred are a 3B and HB as they are easy to lift if necessary, plus a single black fine liner pen. I only need to sharpen one of the pencils so have a sharpener to fit that. Otherwise travel brushes, ruler and erasers, magnifying glass, small water holder and kitchen towel.

**Sketching in the New Forest in the UK. I got a tick bite this time, but it wasn’t infected.**

**A dire warning; this is what happens when an infected tick bites. This is Robin’s leg last year.**

If I take specimens with me, then I have a small plastic bag ready and can add some of my painting water. Sketching back in the cottage or at home means that I have all my equipment available.

I nearly forgot an important addition to the list above; Insect repellant because of the ticks, and sun screen, particularly here in Norway where the air is so clear.

The picture to the left is Robin’s leg last summer after a tick bite! We have a lot of dear and ticks, but doctors are very aware of the dangers and are quick to prescribe treatment.

A serious start on the series in 2017

**My friend’s cottage at 800m over sea level.**

By 2017 I still hadn’t decided which plants I was going to paint and this first year we borrowed a cottage from one of my oldest friends in Norway. The cottage was at about 850m over sea level.

Around the cottage we found Rubus chamaemorus (cloudberry), bilberry (Vaccinium myrtillus), cowberry (Vaccinium vitis-idaea), bog bilberry (Vaccinium uliginosum)and mountain crowberry (Empetrum nigrum subsp. hermaphroditum). This was a pretty good start.

Notice that three of them were Vacciniums – from the heather family. In fact the Blueberries you buy in the shops are yet another species (Vaccinium corymbosum) but they are farmed and not included in my choice.

Importantly I hadn’t found a bearberry (Arcostaphylos uva-ursi) which was partly the reason for choosing to do this series.

But there were loads of other lovely flowers such as Heath spotted orchids, geraniums and various insectivorous plants such as the Common butterwort. There was also plenty of Andromeda polifolia (bog rosemary) in the moss and amongst the new Cloudberry leaves. When seeing it growing at the Chelsea Physic Garden in London, I realised it was an opportunity to paint the species and the resulting picture resides in the Chelsea Physic Garden Florilegium collection.

This continues on 6 April 2023

GAYNOR'S FLORA

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Mountain crowberry