RHS exhibition results 3 weeks today!

In three weeks time, on April 10 about midday I will know if my six botanical art paintings in coloured pencil have passed muster and if they have won a medal.

I’m still hard at working up the colours in Photoshop and In between teaching classes, workshops or marking botanical art assignments for the London Art College. The days are long, but it sounds as though it is going to get colder again and the weeds in the garden might grow slowly for a short while.

The Magnolia is in full and splendid bloom; several weeks early according to pictures taken other years. Each of the crabapple trees have started sprouting. I now have seven different ones.

Would you like another glimpse from the Malus. Red Jade picture? This time it’s the apples. The full picture with dissections is quite interesting, but you will have to come to the RHS exhibition to see it.

20140320-002119.jpg

Next Botanical Art workshop – Hellebores

The next workshop is February 28th – March 2nd. That is Friday, Saturday and Sunday. The topic suggestion is Hellebores.

Many will have seen Hellebores and snowdrops
poking their heads up in the garden already – as long as their gardens are not underwater.

I feel so sorry for all those people who are struggling in the UK, because of the wind and rain. I am so grateful to have been spared and can only imagine what they are going through.

Back to Hellebores and the botanical art workshop. I have one or two places available on the workshop and it is suitable for those who want to start painting botanically, to those who are already fairly well accomplished. You can use watercolour, coloured pencil or graphite and as the class is kept deliberately small I will be able to give individual attention to everyone.

The workshop is held in the beautiful village of Bosham, near Chichester on the South coast of England. Beautiful even now!

Can I tempt you with one or two pictures from my garden this week?

Do get in touch via this blog or my website http://www.gaynorsflora.com if you want to take part in the workshop or make any comments.

20140205-235230.jpg

20140205-235248.jpg

20140206-000046.jpg

RHS exhibition: 10 weeks to go!

The weather isn’t getting any easier yet, in fact, today whilst painting in my shed I got quite scared. That is not me! The sun had been shining, but a large cloud was beginning to darken the sky. Suddenly it started blowing so much that the shed was actually shaking. I have never experienced that before. Even the cats sat up and took notice.

I am ploughing on with the pictures for the RHS exhibition in London in April. I now have the Malus Everest picture finished – I think. I have used exactly the same type of dissections for this painting as the other one. You saw the longitudinal section of the last picture. Guess what this is. You know which crab apple this is, so try and see which part it is.

All the pictures are being done in coloured pencil. I had thought to do the dissections in graphite, in the same way as in other illustrative paintings. However, I have chosen to continue them in colour in this series of paintings.

20140126-003250.jpg

20140126-003532.jpg

First botanical art workshop in 2014, 16-17 January

Happy New year and plenty of botanical art.

I have two workshops in January, in Bosham Nr. Chichester. The first is ‘Colour mixing in Botanical art with Coloured pencil’ and the second is the same theme only using watercolour.

The first workshop is for anyone interested in working with coloured pencil if they already do so, or they would like to learn. Therefore it will be a good one both for new beginners and experienced.

We have all had the same problem now and again haven’t we, that we just can’t mix the right colour ? Well this workshop will be focusing on how to get it right. Getting the right depth of colour with coloured pencil is a matter of mixing the colours optically on the paper. We don’t always have the right colour to hand and, if we did, it is likely to be flat and boring without depth to it. Come and learn how to do it.

Thursday and Friday 16-17 January between 10:00-16:00. Get in touch via my website gaynorsflora.com. I look forward to hearing from you soon.

This is a snippet from that on which I am working towards the RHS exhibition in April. It is in coloured pencil:

20140106-014145.jpg

Botanical art workshop – Autumn colours – in Bosham

Well, I mentioned that I was due to have a botanical art workshop from Friday until today. Are interested in how it went?

I have been allowed to take the following pictures and you can judge from these how it went. I and the people who came, would obviously be very interested in your feedback, so please comment.

20131103-225647.jpg

20131103-225707.jpg

20131103-225738.jpg

20131103-225752.jpg

Some of the subjects.
As usual, we took a photo once the position of the subjects had been arrived at. As I have suggested previously, it is worth doing this as we are painting from living things and they change over time. If something wilts, we can replace that element and if we knock something out of position, we can re-arrange. We still paint from living subjects.

20131103-230349.jpg

Enjoying the company and the opportunity to paint.

20131103-232501.jpg
Glory tree – Coloured pencil

20131103-232604.jpg
Malus Gorgeous – coloured pencil

20131103-232705.jpg
Fallen leaves – Watercolour

20131103-232756.jpg
A pear plus Malus Gorgeous and Golden Hornet crab apples – Coloured pencils.

I think that you will agree that these are lovely pictures that are well on their way to completion. But, what is even more amazing is that some of the students had not done much in the way of their chosen medium previously and they accomplished so much in this one workshop. It was exciting to watch them develop. No wonder I enjoy teaching!

Do you use photographs in botanical art?!!!!

Yes. Sort of.

Some of my paintings take around two years to complete especially if I am doing a series of paintings and they include; A year in the life of………

How do you complete a series of paintings if the series is from the same genus and they bloom and fruit at similar times?

This is how I do some of it. As an example I will use the picture that I have been working on this week. Malus Gorgeous.

In the spring last year I did some sketches, colour detail and size of the blossom. I had to do five other crab apple trees at the same time and, during a ten-day period. This year I did dissections of blooms from the same trees and preparation sketches of the dissections to include in the pictures.

Going back to the Malus Gorgeous specifically, this summer I planned the composition and sketched this out on my final paper. I used elements from various pictures I had taken of the small tree. Bearing in mind that the apples were not full size and far from ripe and the finished painting was to include ripe fruit. The photographs were and are only a rough guide. This is the photograph I used for the main bunch of fruit.

20131018-202924.jpg

I had to enlarge the fruit slightly to the size they were likely to be when ripe, allowing for the fact that even this allowance might be slightly out. I had measured the ripe fruit the previous year so had a good idea of the size. I then started painting the leaves.

I picked the leaves I intended to paint, one at a time. None of them the ones in the photo. Some were more interesting than others, but I had to make sure that the leaves I picked were the ones arising from the fruit spur. These were the type I had included in my picture, and not those born on new shoots, as these are more leathery and differ quite a bit.

20131018-205331.jpg

I positioned each leaf as I had sketched it in my composition and painted it into the picture until most of the leaves were in place.

I have been doing the same with the apples. These are this years ripe apples. They have started falling off the branches, therefore I had to get on and paint them whilst I could – particularly if I wanted the series finished to exhibit at the RHS next year. That is if I get exhibition space.

20131018-210219.jpg

Funnily enough and, luckily, the apples seem to last different lengths of time on the trees. But there isn’t much in it, so I have to plough on until all the apples are finished.

Some of the pictures of the apples being painted – with coloured pencil used dry in case anyone was wondering.

20131018-211337.jpg

20131018-211407.jpg

20131018-211426.jpg

20131018-211727.jpg

Today I managed to do all the apples. I have a couple more leaves to do and then have the dissections and branches to put in the picture. But that won’t happen yet as I have to catch up on all six pictures. The sketches Of the dissections that I have in my sketchbook will give me enough information to do this at a later time. Don’t forget that once everything is in place it has to be tied together with shadows etc in the right places.

As you see I do use photographs in botanical art, but every element in my pictures are painted from life.

By the way, comments or queries are very welcome.

My sketchbook page.

20131018-213801.jpg

Busy, busy – one!

The Antonia Rose
The Antonia Rose

Where to begin?

Since I came home after the fantastic course with Sarah Simblet I have been catching up in between family visits.

Some of our children stayed on and off with us throughout June and will be returning next week with other members of the family. All in all we will be eleven of us. They will be keeping out of my hair until Monday as I have a three-day workshop this coming weekend.

This workshop is well supported and the topic will be ‘Summer fruits’. However several of those taking part will be painting Roses. I suppose this is a form of lateral thinking. I had a think about any fruits that we have in the garden at the moment. There is in fact very little as we are between flushes of the usual varieties. The Raspberries and Strawberries are finished until a new lot arrive and it is too early for Blackberries, although they are now beginning to turn a beautiful black.

Normally Cobnuts look really beautiful to paint at this time of year with their curly green skirts and pixie hats. There isn’t a single one on our tree this year. The Rowan tree has a lot of fruit on it and it is ripening fast. The apples are still very small and of all the crab apple trees in the garden there is only one that is showing any hint of warmth in colour. Actually, thank goodness for that as I have been doing so many other things other than continuing the Crab apple series of paintings recently.

One of my students who will be painting roses during this coming workshop, will be continuing a picture she has been doing for the last three weeks. She has had several days with one-to-one tuition as the subject is very special. Her father was a Nurseryman and developed a rose which he named Antonia – the name of his first grandchild. As far as they are aware there are only three examples of the rose left and this is the reason she wanted to paint it. Not only that, she is using coloured pencil.

To demonstrate various relevant techniques to aid my student, I started painting the rose myself and have decided to use it as a step-by-step tutorial.

I don’t think that I have mentioned before that I am the Botanical Art Tutor for the London Art College. It is a very good organisation who provide art courses in various mediums and with many topics via the Internet or per correspondence. My predecessor wrote a fair amount of the course as it stands today, but it focuses on watercolour as well as a little graphite and pen&ink. I am now in the process of writing some tutorials for coloured pencil botanical artists to add to what is there already. Therefore in time we will have very good tuition to help botanical artists with their watercolour and coloured pencil studies.

The above

← Back

Thank you for your response. ✨

is my finished Antonia Rose which I will be using for the step-by-step studies with the London Art College. I hope you like it.

Open studios the next two weekends

Spring is coming. At last!

This coming weekend I will be opening my studio during the Chichester Open Studios event. It will be open from Saturday to the bank holiday Monday and again the following Saturday and Sunday.

My pictures will be hung in the conservatory and prints and cards will also be displayed there. Luckily my husband Robin will be manning this area whilst I am down in the shed at the bottom of the garden.

As the event is called ‘Open Studios’, I have the excuse to stay in the shed all day long. I will be getting on with either painting my current piece of work or doing the preparations for other aspects of it.

Normally people do like to find their way down to the shed to see what an artists studio is like. I expect all studios are very different, just as the mess in mine varies according to what I am doing – even though it is generally botanical.

During ‘Open studios’ I can’t say that I work too effectively. I enjoy the visits throughout the two weekends as people are so interested and have so many questions. As I work in coloured pencil, watercolour or graphite, I am given so many opportunities to explain and demonstrate the different techniques. Sometimes, visitors become so interested they want to learn more. This is exciting.

Presently I am working on a series if crab apple paintings. There are meant to be six different crab apples, but my neighbour has just gone and bought a new one which is quite beautiful.

My husband Robin bought me a microscope for my birthday and at last the crab apple flowers are beginning to open, allowing me to capture their detail. Hopefully, more of the trees will be coming into blossom, in which case I will be using the microscope when dissecting the flowers. This might well be art with a difference for those who visit me down in the shed during these next two weeks.

I do hope you will join me.

The address is on my website, but have a look on the Chichester Open studios website for instructions as to how to get here. It is http://www.chichesterarttrail.org/.

I really look forward to seeing you in my shed!

FRom an earlier ‘Open Studios’ event:

20130502-110422.jpg

The Artist at work in the shed!

20130502-110641.jpg

Prep for RHS Botanical art exhibition 2014

Following on from my last exhibit in 2010 with the RHS, I am working up to another exhibit. The question is, will I get the required number of pictures done in time and will I be offered a place in the London exhibition?

Last time I painted a series of Magnolia x soulangeana pictures in watercolour. This time I am painting a series of Crab apple pictures in coloured pencil. Each of them will be a different crab apple.

I have done a certain amount of preparatory work. I have sketches of each of the apples and during the short flowering time last year I did sketches of each of this chosen plants in flower. I had my work cut out doing the sketches in time.

So far during the winter I have decided roughly what needs to be included in each picture and have started a couple of the series using the sketches I already have of the apples. I intend to keep people up to date with what I am doing.

I foresee the first significant problem arriving in April during the short blossom time as I have decided to do detailed drawings from dissections of each of the plant. Flowering lasts about two weeks!

20130309-001641.jpg

Follow my blog to see how the process develops.