Bad news and good news.

A few days ago we were walking round the garden and noticed that one of the Fuchsias seemed to have real problems with flowering. On closer examination the growing tips were curled up with the new flower buds curled into them. We then checked out another fuchsia in the front garden which had flowered. It was the only one we had with variegated leaves. But that too seemed to be infected. We had no idea what this was, so Robin had a look on the net.

Distorted growing tip of a Fuchsia plant
Distorted growing tip of a Fuchsia plant

Apparently it is the Fuchsia gall mite and has been written about by the RHS. It had first been seen in Brazil in the late 1970’s and has since spread to areas with warm climates, reaching Fareham on the south coast of England only a short time ago.

The only thing to do with it is remove it completely as removing the distortions doesn’t get rid of the mite and neither do pesticides – which we wouldn’t want to use unless there was no other way. When removing the plant, it either has to be burnt or got rid of safely – not on the compost heap. The mode of transportation is you and I, birds and the wind. Therefore we have to be careful that we clean tools, change clothes and wash hands after handling it.

I have just found it in the back garden too, but so far it has only affected one of the fuchsias (all hardy). Therefore we have to get rid of it as soon as possible. However, before doing so I thought I would take some pictures. The mite is 0.25 mm long, therefore too small to be seen with the naked eye. But I have one or two microscopes and have taken some stills and a short video.

First, two stills so that you know what to look for:

Fuchsia gall mite still_1 copy

 

The same gall mites taken within seconds of the first picture.
The same gall mites taken within seconds of the first picture.

I had hoped to show you a short video I took of a mite moving along a stem, but unfortunately I haven’t found a way to include it on a WordPress page. But needless to say, the mite is very bad news for those with Fuchsias at least living in the south of the UK . But perhaps this will be a warning to have a look at your Fuchsias and remove those infected as soon as you can.  This could minimise spreading.

Now the good news. The American Society of Botanical artist (ASBA) has its annual conference in Pittsburgh in October. I know I have mentioned this before. I was asked to teach and the online registration was opened on 23 July. I booked the workshops that I wanted to attend, but also checked out my own workshop.

I couldn’t believe it and I thought there was a difference between the meaning of the American and UK English words ‘waiting list’. I picked up the courage to ask and found that they meant the same thing. Already on the first day of registration, my workshop was fully booked with a waiting list! I have to keep my fingers crossed now that I can still get crab apples as subjects for the conference. At the moment, I have loads of different ones ripening here, but how they are ‘over there’ is another matter. Perhaps someone could tell me if they are likely to have any left at the time of the conference?

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Places on botanical art workshop starting two weeks today.

Before I update a little more, there are still a few places on the ever popular botanical art workshop ‘Fruit and Veg’ or ‘Strawberries and Cream’. The last part isn’t intended to paint as we will be eating them. However, there is no reason why shouldn’t reserve some strawberries to paint.

Please do get in touch as soon as possible if you would like to attend the workshop, Friday and Saturday 19 & 20 August, between 10:00 and 16:00, including lunch.

The workshop is held in Bosham near Chichester. There are plenty of B&Bs in the vicinity and I have a list should you need it. But these days it is easy to find accommodation on the internet.

We have a kitchen garden, although not too much in it as we were away during a vital period. We took cucumber plants to my daughter in Norway; she has cucumbers, our plants died! But we do have exciting overgrown radishes, apples on the way and blackberries already here. The runner beans are beginning to produce, but the broad beans are few and far between. Our neighbours got plenty of Raspberries whilst we were away – all gone now, but you never know, some may pop up.

I will put a form at the end of this blog so that you can get in touch with me quickly should you decide you would like to join in the fund and games. More information and booking form at Gaynor’s Flora workshops.

In the last update on 1st of August, I mentioned that I had beens struggling with painting tomatoes in coloured pencil as I was trying out different papers. For my fourth attempt I used my trusty old supply of Fabriano and it is now finished. I will show it to you another time as in reality I only did it as a teaching video for my online botanical art course. I still have to edit the video.

I also mentioned our trip into the mountains in Norway and showed you a list of plants that I might do for my next RHS submission. Here are a few sketches of the Heath spotted Orchid from my sketchbook.

Heath spotted Orchid sketchbook page
Heath spotted Orchid sketchbook page
Heath spotted Orchid flower detail
Heath spotted Orchid flower detail
Heath spotted Orchid leaf detail
Heath spotted Orchid leaf detail

They are in a Stillman & Bern Zeta sketchbook in watercolour.

Get in touch about the workshop in two weeks time.

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New home for a picture.

This blog is particularly brief, although I still have plenty of news to catch up on.

I had a commission for a Fritillary earlier in the year. I showed you some of the preparatory drawings in my sketch book in a blog 25 February this year. The customer approved the composition and the final picture was painted in watercolour.

Because the picture was needed for a particular date, delivery waited until today. It has now gone to its new home.

Fritillaria meleagris
Fritillaria meleagris

Fourth Gaynor’s Flora update

I am so glad that I have these blogs to look forward to each day. They are helping to remind me about the lovely things I have done over the last few weeks. Particularly as I am still catching up with all the undone things, including doing a coloured pencil video.

I am really struggling with the video. I expect that those who are just starting out in botanical art will be relieved to hear that someone who has been doing it for a while, continues to struggle in periods. But the reason that I am struggling is because I am trying out different papers to use with coloured pencils, so that I can advise my students. The subject is tomatoes.

I think that I am now on my third attempt. Its not that I don’t get good enough results, it’s just that I feel I have to adjust my technique for each of the different papers I use. But I suppose that is something new learnt.

First Tomato picture attempt on Strathmore 500 Bristol Plate.
Incomplete first tomato picture attempt on Strathmore 500 Bristol Plate.

Going back to catching up.

A lot had been going on over the last few months with a great deal of time spent on writing the online botanical art course, exhibitions, demonstrations and teaching. I felt I needed a break, but my head was still working ‘twenty to the dozen’. My workshop in Norway was unfortunately cancelled, therefore this time we would be taking a holiday there. I still had work to do on the botanical art course and informed family that this was the case.

I have a strong and determined family! After one day spent working, I was told that enough was enough. I was unhappy at the time as of course I still had to do the work. But since then I have every reason to be grateful to my daughter in particular. I had a holiday and had a proper rest. Maybe I was a pain to everyone else!

Whilst in Norway I didn’t get much painting done either. But we stayed with some friends at their cottage in the mountains and I think I now have a group of subjects to paint for an exhibition at the RHS. It won’t be next year, but if I get my act together, possibly the year after.

As here in the UK one is not allowed to pick certain plants. But I made a note of the plants around my friend’s cottage and I think they will make a very good subject series.

© Skinntryte page

I know that this page in my small Moleskin drawing book looks very boring. But this is how botanical art paintings start, particularly when planning a series of paintings. I’m afraid that I have written the Norwegian names, but you will also see the scientific names if you want to look them up.

Three of the plants are important for fruit picking in Norway –

  • The Vaccinum vitas-idaea is called Tyttebær in Norwegian and Lingon in Swedish (goes with your Ikea meatballs), but Cowberry in English. They are the same genus as the Cranberries we buy in the shops, but a smaller species.
  • Blåbær is Blueberry in English, but again a different and smaller species from the ones we buy in the shops.
  • Multe is Cloudberry in English. They are the most sought after and difficult to find – but generally one knows of a ‘spot’, and doesn’t tell anyone else! There are very special rules governing Cloudberries. One is not allowed to pick the flower and definitely not allowed to pick the fruit until it is fully ripe. If you are caught with red fruit you are fined.

In 1974 and long before I knew the importance of Cloudberries,  my parents visited me in Norway  and we took them into the mountains. My mother loved these delicate white flowers and picked a whole bunch of them!!

Skinntryte is also a form of blueberry. I have found several English names for it including Whortleberry and Bilberry. They grow with Blueberries and for those who don’t know the difference, they might also pick these.

Krekling is apparently becoming more interesting to harvest. It is Crowberry in English.

Of course Tettegras is the Common Butterwort, which is a carnivorous plant. When picking fruit in the mountains, I think one is very glad that there is something that digests all the buzzy, biting things!

Last of all, the Flekkmarihånd is the Marsh Orchid and just beautiful.

This is my friend’s cottage in the mountains. They have invited me back next year to continue painting the series. Thank you Eva and John.

© 1.Eva & John's hytte

Second Gaynor’s Flora update

Whilst I was away, I was filling in forms, writing CVs etc for the American Society of Botanical Artists (ASBA) conference in Pittsburgh and the exhibition in New York in November. I didn’t have access to all my paperwork to fill everything in, but thought I could rely on the information in my website. Not so! For some reason or other a couple of pages were empty, such as the one for awards, and several others were not updated. Why, I don’t know. But as my husband says it is because I’m human. That might be a surprise to some!

Have a look at my website, because some of the factual things were updated yesterday.

What has this got to do with botanical art? Find out in the botanical art course.
What has this got to do with botanical art? Find out in the botanical art course.

Whilst doing this vital function, I was reminded that I needed to mention that I have some places on the online botanical art course Online botanical art course .   I keep the number low for new people starting each month so that I don’t become overloaded with teaching, leaving no room for my own painting.

The feedback that students get back from me for each assignment is comprehensive – as those who are already doing the course can vouch for. Each assignment I receive often takes several hours to mark, so that as you embrace the tutorials and struggle with practicing for the work you send to me, you know that your efforts will be treated seriously.

The course is suitable for people starting out in botanical art and for those who want to improve. Generally speaking, the ‘wanting’ to improve in our botanical art practices applies to all of us and it sometimes helps to have someone else to guide us further along this path. Do sign up and give it a go.

Going back to the beginning of June and the Cedric Morris collection of Irises; these are the pictures of the second Iris. This time it is the Benton Apollo. In the garden in Hadleigh, Suffolk, the Irises were at various stages of flowering. The Benton Farewell that I showed you yesterday had only just started flowering and there was only the one fully opened. However, the Benton Apollo Irises were very much in full bloom.

Iris Benton Apollo
Iris Benton Apollo

In this picture you can see some of the other Iris colours in background. And I believe that this part of the garden was secondary!! Anyway, again I was smitten. But who in their right mind would choose a yellow flower to paint?

Both white flowers and yellow flowers are considered very difficult to paint, but it all depends on whether you have leaves backing the flowers, and the way you do your shadows. In actual fact the Benton Farewell had a lot of subtle mauve tints in the white and the yellow iris has also some beautiful and interesting shades, particularly in the fall petals.

On Saturday evening I made my way home in the car. It was hot. For the first part of the journey, Julia accompanied me, sitting in the front seat holding her Iris cutting with all the windows wide open. My Iris was safely supported in the boot of the car – or so I thought! Julia’s Iris didn’t even flutter in the wind and mine was safely in the boot being torn to shreds.

I was lucky enough to have some buds left on the cuttings and during the following week I did demonstrations on four days. What did I use for my subjects? The Irises of course.

Benton Apollo sketch done in situ.
Benton Apollo sketch done in situ.

 

Benton Apollo sketch from cutting
Benton Apollo sketch from cutting

Both sketches are watercolour in a Stillman & Bern Zeta sketchbook.

I am back!

I haven’t written a blog, updated my website or done too much in recent weeks. But after an enforced rest (more in another blog)  I am now refreshed and raring to go.

My last blog was in May when I told you that my Malus ‘Golden Hornet’ picture had been accepted for the ASBA exhibition in New York in November. Such a lot has happened since then. and we only have three days left in July.

At the time I was exhibiting in the Cranleigh Arts Centre and at the same time in the last Society of Floral  Painters Exhibition in Chichester. But in the beginning of June I was asked if I would paint two Irises as part of the Cedric Morris Florilegium. I agreed and met up at the garden of Sarah Cook in Suffolk, who is collecting the Benton Irises. All who had agreed to paint an Iris for the intended Florilegium met up for the Saturday and were flabbergasted at the array of Irises in flower.

Iris Benton Farewell, in all its glory.

As you can vaguely see, we were spread out around the garden sitting and sketching on our knees. Not the best of positions, but for the love of painting botanically we almost do anything. I have to say that luckily the sun came out at lunchtime and we all started shedding our layers of clothes. Unlike many of the others I was stupid enough to forget a hat!

I did do several sketches, making notes of size and colour, so that I have a better opportunity to paint the portrait at home.

Luckily, we have two years to complete these pictures and we are invited to catch up with the Irises again in June next year.

Today I will show you a couple of sketches of the Iris Benton Farewell. They are in watercolour.

Some sketches from my sketchbook done in the garden

Its all go in May and June with botanical art.

Last weekend IAPI – the Institute of Analytical Plant illustrators, had one of its meetings in the Lake District. We went both to see Beatrix Potter’s botanical illustrations at the museum in Ambleside, and to John Ruskins home, which is an absolutely stunning botanical garden on the edge of Coniston Water. I don’t think I have ever seen such a display of colour!

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Artists Glade
Artists Glade

No comments could make this more beautiful.

However, after this fantastic weekend away, we came back well prepared to take part in the hanging of the Society of Floral painters exhibition at the Oxmarket in Chichester. The exhibition opened successfully on Tuesday evening and since then there has been a steady stream of visitors to see all the wonderful Floral pictures.  They range from a strict botanical style to a much looser style. But, although very different, the quality in each genre is very good.

By the way, that isn’t just me that has commented on this as of course I do have a vested interest; but visitors to the gallery have been extremely impressed.

Do come along at some point between now and the 12th June. Except for Mondays, a different person will be demonstrating their style of work each day. I am demonstrating coloured pencil tomorrow, Saturday 28 May and watercolour 7 June. The address is the Oxmarket, St Andrews Court, East St, Chichester PO19 1YH. This weekend the Chichester Flower Festival is also happening.wpf3269d6f_05_06

Ménagerie à trois plus botanical art workshop

Please note the difference in spelling!

We have four cats, a pond with visiting ducks, a pair of Crows, Chaffinches, Wrens, Robins (as well as my husband and sister)Blackbirds, Goldfinches, Bearded Tits, Blue tits and Great Tits, two sorts of Woodpeckers, squirrels, rats and the normal rodents etc.

Although we have the cats, birds seem to feel very happy i the garden and seem to be left alone. In fact, one day there was a pheasant in the garden and the ginger one  – Fudge decided he wanted to join him, so walked towards the bird with his tail in the air. They seemed to spend a happy time following each other gently round the garden! The only things that seem to come to grief are the rats – 22 in 18 months!

During the workshop one of the students had her dog with her. She was a little worried at first as she thought her dog might chase the cats. The black & white cat – Allsorts (as in liquorice), brother of Fudge, knows how to deal with dogs. He just sits and stares them down. It always works. I think he took five minutes to train the dog!

These were some of the views from the conservatory during the workshop at the weekend!

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There was a botanical art class between Friday and Sunday. The title was May blossom and Irises. Irises are usually the topic of choice, but there was a whole garden to choose from. In the end there were 1 1/2 Iris pictures, two Canary Rose pictures, one crab apple blossom, a very pregnant Hellebore  and none of the yellow Irises from the pond. Three people used coloured pencil and two watercolour.

From my perspective the workshop was enjoyable and the feedback I have got is that those taking part also enjoyed it and learnt something too.

I am now taking on people who want to start the online botanical art course in June. To see what it is all about, have a look at my webpage on the subject. I restrict the number of people I take on board each month so that it is best to reserve your place as soon as possible. https://gaynorsflora.com/tuition-2/online-botanical-art-course/

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And the results of the weekend so far. As I forgot to take it before packing up, there is one picture missing, but hopefully we will see the finished result in due course.

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Florilegium – a gathering of flowers at Cranleigh Arts Centre

Today we had the last day of the Chichester Open Studios art trail. Boy, what a warm day, particularly when we haven’t been used to it. But it meant that lots of people came out to visit us in Bosham. Generally people seemed to find their way down to the shed for a natter with me, before going up to the house to see the botanical art. It was a busy and interesting two weekends.

But so we have to clear up!

However, in the process I am getting ready the work that is going to the Cranleigh Arts Centre, 1 High Street, Cranleigh. This is an exhibition in partnership with RHS Wisley who want to show some of their herbarium specimens. In addition, they wished to combine this with showing some botanical art and I was honoured to be asked to do this. The third person showing work in the exhibition is Celia Henderson a photographer. I have seen her work of flora and it is particularly beautiful.

The exhibition opens on May 10th to June 11th. I do hope that you will be able to come and see what is on display.

A6 PV invite v2 copy