Goodbye to “Farewell” and hallo to another project start.

The Easter break has been and gone, visiting family who enlivened the recent days have gone back to their own homes and it is back to botanical art.

I will say farewell to “Farewell” (the Benton Iris) at the end of this blog, but invite you to see a couple of developments.

My project for the Chelsea Florilegium this year is the Rhododendron impeditum. It is an exquisite dwarf Rhododendron. Why I do such tiny plants, I have no idea. I spend a lot of time trying to think out how I am going to portray it even before I start. I know that it won’t be easy but at the moment I am doing as many sketches of it as possible before the buds open. Initially the buds looked fairly dead and in fact the winter did kill off my first plant and killed the buds of the 2nd plant. Luckily I managed to find a 3rd one, so my sketches so far have been from this one.

I think I will tickle your imagination as to how I might tackle this by just showing you a picture of my plant this time. With any luck, before too long I might have a better idea of what I am doing because soon the plant will flower and I will need to capture the detail on paper.

There is still a lot of work to do in preparing for the UK part of the Botanical Art Worldwide Exhibition – In Ruskin’s Footsteps. I hope as many people as possible will put the dates of the exhibition into their diaries. It will be held at the Peter Scott Gallery, Lancaster University between 18th May – Worldwide Day of Botanical Art – and 9th June. It will be open on weekdays between 12:00 – 17:00, and there are two special event days on Saturday 19th May and 9th June. These Saturdays will be open from 10:00 – 16:00.

Apart from the 40 juried pictures of native flora on view, we will also be having some demonstrations in botanical art  and in depth tours of the artworks on the special event days. All this in addition to showing a continuous slideshow of roughly 40 pictures from each of the 25 participating countries throughout the whole exhibition.

I think this exhibition will be very different to any one you will have seen before because of the involvement of so many countries from around the globe – all at the same time.

I also want to share with you the excitement I have felt recently because of one of my plants from Norway. It is called Empetrum nigrum; hermaphroditum (Krekling in Norwegian or Crowberry in English). Normally this plant is either male or female, but at high altitudes it has both sexes in the same plant. During the autumn my plant developed some flower buds. But nothing else happened until this last week when a couple of them started opening and showing petals.

I took this picture with a macro lens on my iPhone. The actual size of each flower at this stage is about 2mm. I am keeping my fingers crossed that they will be fertilised so that I get fruit in the autumn.

By the way, this is one of the plants that I will be painting for my series of Norwegian mountain plants.

Before I finish, my next botanical art workshop is 27-28 April and we will be concentrating on different pen and ink techniques. Have you ever thought how many techniques there are? I think you will get a surprise. Knowing a little more about them can really enhance your botanical art practice. Get in touch  via the contact form on my Workshop web page: gaynorsflora.com/tuition-2/workshops/

So finally, the Benton Iris ‘Farewell’. I am pleased that I own the copyright for this picture.

Last Gaynor’s Flora blog of 2017

First of all I hope that everyone able to follow my blog had a very peaceful Christmas. Thank you for your interest in my work over recent months. I hope that it has encouraged your own botanical art involvement.

I have been quiet for a while as I have been so completely engaged in the UK preparations of the Botanical Art Worldwide Exhibition  opening 18 May 2018. But during relatively quiet moments I have been working on my next painting for the Benton Irises Florilegium.

Today, has been one such day. Although we have family visiting over Christmas and more due over the New Year Period, I managed to work a little on the composition of the Benton Iris Farewell.

This is an absolutely stunning Iris which at first glance is white with reddy-brown falls. But when taking a second look, white does not describe it. The Iris seems to pick up all the colours of the rainbow!

I now have several plants in my garden and in the spring made full use of all the days I could sit out in the sun and sketch it. These are some of my preparatory sketches.

This slideshow requires JavaScript.

Today I worked on the composition and it is completely different to that which I had anticipated. I had already scanned my sketches and moved the different parts around on my computer screen after having worked out where my Golden section and area of focus was likely to be. From this exercise I thought I had a rough idea of what I wanted to do, so started sketching it.

This is my rough layout. Where do you think the area of focus is? Is it in a Golden section? Is the eye lead around the composition?

Colours will also influence the final composition as will weight of the various elements.

I hope to keep you up to date with how the painting develops, but that is dependent upon the amount of work with the Worldwide exhibition. Do look at www.britishbotanicalartists.com.

HAPPY NEW YEAR

2018