Botanical Art Organisations

Society of Botanical Art (SBA)
Society of Floral Painters (SFP)
Den Norske Forening for Botaniske Kunstner (DNFBK)
Institute for Analytical Plant Illustration (IAPI)
Royal Horticultural Society (RHS)

Busy, busy two.

| Gaynor's Flora

We have just had two very successful weekends with the Summer exhibition and open studio.

As this is not part of an overall open studio event, just something we have decided to do for the last four years during the summer break(!), we don’t expect loads of visitors – only those particularly interested in botanical art. Our expectations were met on that score, but exceeded in other ways.

I like everyone else has had to keep a tight reign on finances during the downturn and many times I wondered if if I was silly either having an exhibition or keeping one or two classes going. However, people have been faithful, students have continued and customers have kept on coming. I noticed during the last two weekends that things are definitely picking up. We were told so on the news and this was enforced through my customers.

Thank you to all those who came and showed such Interest.

I am now working my socks off to prepare for a fair this coming weekend. It will be at Folkington Manor, on the A27 between Lewes and Eastbourne. Just follow this link to get information about what it is and where: Folkington Manor Antiques & Fine art Fair. There seems a lot of interesting things going on there, so that it should be a fun family day out. I hope to see you there. Please make yourself known to me when passing. I am in the Flint barns where the Auctioneer Michael Hogben will be giving free evaluations.

Next week we are taking some pictures up to Patchings for the UK Coloured Pencil Society annual exhibition. If you are interested in coloured pencils, then go and have a look at the exhibition between 1 September and 6 October. I hope you are interested as I have done a lot of things on this blog in relation to coloured pencil.

3 September I will be doing a demonstration in using coloured pencil with botanical art, for the Midhurst Art Society. It would be fantastic to get more people interested in both using coloured pencil as an art medium and botanical art and illustration in particular.

I love what I do and I feel so blessed that I have been given this gift and that I can practice it and have the ability to teach and enthuse others (or so it seems).

However, where is the painting?

I am also writing some tutorials (again coloured pencil in botanical art), for the London Art College where I am a tutor. Up until now they have only used watercolour for botanical art, but once I have got the tutorials finished this opens up the opportunity for those who want to use CP. Yes, I also have assignments to mark and I find this fascinating. People put such a lot of effort into improving their skills. it’s amazing being part of it.

So where is the painting?

Not long until I go to the US for the opening of the 14th international exhibition of Botanical art and illustration at the Hunt Institute of botanical documentation, Pittsburgh. My picture Magnolia x soulangeana: Maturing Blooms is part of the exhibition until December, when it will go on a three-year tour of the US until the next International exhibition.

Whilst in America, the American SBA has their conference at the same time, so I will be taking part in that too. The Hunt and the ASBA paper toy work together on coinciding this event so that participants in either the exhibition or the conference benefit from both. During this, I will be on a panel discussing botanical art and how I do it!

So the painting. Burning the candle at all of its ends, I am now working on the Malus ‘Gorgeous’ for about the fourth time! But, I am doing an entirely new composition. I have decided that the ‘Gorgeous’ ones I had already done, didn’t go with the other ones as a series. Hopefully I will get the series finished so that I can exhibit with the RHS next year.

I think this is enough for now. I’m sorry that there is so much reading and no pretty pictures this time. I’m afraid I had too much to say.

Busy, busy – one!

| Gaynor's Flora
The Antonia Rose
The Antonia Rose

Where to begin?

Since I came home after the fantastic course with Sarah Simblet I have been catching up in between family visits.

Some of our children stayed on and off with us throughout June and will be returning next week with other members of the family. All in all we will be eleven of us. They will be keeping out of my hair until Monday as I have a three-day workshop this coming weekend.

This workshop is well supported and the topic will be ‘Summer fruits’. However several of those taking part will be painting Roses. I suppose this is a form of lateral thinking. I had a think about any fruits that we have in the garden at the moment. There is in fact very little as we are between flushes of the usual varieties. The Raspberries and Strawberries are finished until a new lot arrive and it is too early for Blackberries, although they are now beginning to turn a beautiful black.

Normally Cobnuts look really beautiful to paint at this time of year with their curly green skirts and pixie hats. There isn’t a single one on our tree this year. The Rowan tree has a lot of fruit on it and it is ripening fast. The apples are still very small and of all the crab apple trees in the garden there is only one that is showing any hint of warmth in colour. Actually, thank goodness for that as I have been doing so many other things other than continuing the Crab apple series of paintings recently.

One of my students who will be painting roses during this coming workshop, will be continuing a picture she has been doing for the last three weeks. She has had several days with one-to-one tuition as the subject is very special. Her father was a Nurseryman and developed a rose which he named Antonia – the name of his first grandchild. As far as they are aware there are only three examples of the rose left and this is the reason she wanted to paint it. Not only that, she is using coloured pencil.

To demonstrate various relevant techniques to aid my student, I started painting the rose myself and have decided to use it as a step-by-step tutorial.

I don’t think that I have mentioned before that I am the Botanical Art Tutor for the London Art College. It is a very good organisation who provide art courses in various mediums and with many topics via the Internet or per correspondence. My predecessor wrote a fair amount of the course as it stands today, but it focuses on watercolour as well as a little graphite and pen&ink. I am now in the process of writing some tutorials for coloured pencil botanical artists to add to what is there already. Therefore in time we will have very good tuition to help botanical artists with their watercolour and coloured pencil studies.

The above

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is my finished Antonia Rose which I will be using for the step-by-step studies with the London Art College. I hope you like it.

Sarah Simblet course

| Gaynor's Flora

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I came back nearly a week ago from a weeks course at the Ruskin School of Drawing with Sarah Simblet as the tutor. I had an amazing week away.

The course was Botanical drawing. Sarah has authored several art books, on drawing in general, anatomy for the artist, botany for the artist and is now working on a new book. She is a very good artist and also does a lot of research in the areas in which she chooses to teach. To cap it all, Sarah is a lovely person and very supportive of her students when struggling with new media.

The reason for going on the course was to draw in pen and ink. I have always been intimidated by this medium and therefore hoped that I would be less so once I had had a little expert tuition. Sarah constantly draws in black and white and in reality with her work you feel that you are looking at it in colour. Getting to that level of expertise would be something I would love to achieve, but it possibly won’t be in this lifetime.

Sarah got us to relinquish our feelings of control when drawing by using unusual implements. After this she encouraged us to build ourselves up again using the new medium (ink) and new implements (pen). It was exciting. I can’t show you pictures of the pulling down, but this is an example of learning to build up again. It is a plant I have never seen before – Molucella laevis. Very attractive. In fact whilst in Oxford I did see another painting of one.

We went to the Herbarium and were given a treat. All of Ferdinand Bauer’s work that went into the Flora Graeca was laid out for us. It was amazing. His sketch books and all his notes were there. He had a colour coding system that he used when doing his sketches in situ. He could spend years away from any studio and when he returned he used his notes to make his botanical paintings for the Florum. Therefore we were able to see his actual sketches, notes and final paintings before they were eventually published.

I made new friends on the course who are from around the world. Two I will be meeting again in a few weeks time at the opening of the Hunt Institute of Botanical Documentation Exhibition in Pittsburgh.

I am now coming down to earth and catching up on all I need to do. But  hopefully I will get my act together to keep the blog updated.

Thank you for reading this. I do recommend Sarah Simblet’s summer courses.

Molucella laevis 180713

Teaching with Fieldbreaks at Goodnestone Park Gardens

| Gaynor's Flora

On Monday of this week I went to Kent to teach at Goodnestone Park Gardens. What a beautiful area. It is so peaceful and they are so welcoming there.

This is the second year that I have had classes at Goodnestone Park with Fieldbreaks and the workshops are seemingly more popular each time.

I had a lovely group of people with half of them using coloured pencil, one eventually chose to use graphite and the remainder watercolour.

I think that things were about a week behind in comparison to where I live. In some places you could almost see the green tips begin to appear on the hedging, there were loads of daffodils, no tulips, the Magnolia x soulangeana was still closed but nearly ready to burst although the Magnolia x stillata was fully open and the Camelias were glorious. There was in fact a lot to choose from if only you looked and were able to see. The flowers eventually chosen to paint were the above, plus Primroses, Periwinkle, Hellebore and Fritillary. The results were very good and as far as I can tell, all those taking part were pleased with their results.

I get quite chuffed when students achieve what they set out to do – and in some instances even exceed that.

The only thing I hadn’t been prepared for was the summer warmth. I had layers to keep me warm, but even so I hadn’t expected it to be as warm and lovely as it was.

I will be having another workshop at Goodnestone Park with Field Breaks in June. Come and join us in this peaceful environment.

Pictures for RHS 2014

| Gaynor's Flora

Since I last updated about the RHS prep, I have gone as far as I can on the picture I was painting at the time. I won’t be saying which species of Crab apple I am painting as hopefully I will awaken your interest enough to come to the exhibition next year.

The last picture I started was painted using sketches, photographs and detailed paintings I had done during the season. It depicted the apples and leaves fairly late in the season. Some of the leaves fairly past their best – but interesting.

I managed to do some fairly detailed sketches of the flowers last year, but need to wait until we are in the new season to dissect the flowers. Once that is done I will be able to put the picture together fully.

The new picture I have started is also based on sketches, paintings and photos taken previously. However, this one took three days to work out the design, fine tune and get transferred onto the paper to paint. So far I have struggled with a few leaves and a couple of apples, but I don’t feel it is going at all smoothly. Should I have started again?

It’s funny to think that I took three days to compose and put together the outline for a composition, but with my workshops, I have to encourage people to use at least 1/2 day to do the same!

Prep for RHS Botanical art exhibition 2014

| Gaynor's Flora

Following on from my last exhibit in 2010 with the RHS, I am working up to another exhibit. The question is, will I get the required number of pictures done in time and will I be offered a place in the London exhibition?

Last time I painted a series of Magnolia x soulangeana pictures in watercolour. This time I am painting a series of Crab apple pictures in coloured pencil. Each of them will be a different crab apple.

I have done a certain amount of preparatory work. I have sketches of each of the apples and during the short flowering time last year I did sketches of each of this chosen plants in flower. I had my work cut out doing the sketches in time.

So far during the winter I have decided roughly what needs to be included in each picture and have started a couple of the series using the sketches I already have of the apples. I intend to keep people up to date with what I am doing.

I foresee the first significant problem arriving in April during the short blossom time as I have decided to do detailed drawings from dissections of each of the plant. Flowering lasts about two weeks!

20130309-001641.jpg

Follow my blog to see how the process develops.

A very busy few weeks

| Gaynor's Flora

A busy time. I demonstrated at the Society of Floral painters exhibition at the Oxmarket in Chichester, twice. Once with coloured pencils and once with watercolour. People were interested in both and seemed to like my results. However, there is a huge fascination for the coloured pencils. There were lots of comments about how they didn’t realise what could be achieved with them. I love working with them, but also enjoy watercolour.

Since the exhibition, I have had my normal weekly classes and spent a few days in Amsterdam with my children. That of course was enjoyable. We came back on Saturday and I went off to Goodnestone Park gardens on Monday, teaching a botanical art workshop for Field Breaks. It seemed to go well, some returning students and over half using coloured pencil.

I think I will have to write a separate blog on coloured pencil and future plans.

Today I am starting another workshop over three days in Bosham. Again over half are returning students.

Society of Floral Painters exhibition

| Gaynor's Flora

On Monday my husband and I spent all day at the Oxmarket galleries in Chichester. We were helping with the preparation for the  SFP exhibition – taking in pictures and helping with the hanging. it was a really hot day and quite tiring- as you would expect. The opening was on Tuesday evening and was open to the public on Wednesday.

The flower festival starts in Chichester at the weekend, so hopefully it will draw people in to see the floralpaintings hanging there.

By the way, I got a ‘highly commended’ award for the Chairman’s trophy. This was for my dissected Magnolia flower.

A very delayed update!

| Gaynor's Flora

I have not updated this blog for a very long time. My excuse is like for everyone else – too busy.

But, a lot has happened in recent month. We decided last year that we were going to re-organise the house to accommodate my botanical art classes and open studios in May (with the Chichester Art trail) and in August. We started building works after Christmas and have continued since then. The main area, including kitchen, was done in time for the open studios in May. In fact the door into the gallery was only hung the night before – a close shave!

We had a huge increase in the number of visitors this year although the weather was very bad the first weekend with loads of rain. Two couples turned at the door and said that my type of art was not for them. A few others who came, came to have a look in other people’s houses (own admission), but became hooked on what they saw.  that was a fantastic result. I spent a lot of time telling people how I paint and why, showing them the process and giving them an opportunity to at least try out the colour pencils. Some became smitten and several signed up for classes and workshops.

I have loads more to tell, including about the Society of Floral Painters exhibition to take place this year in Chichester. I will come back to that tomorrow.