RHS exhibition: 10 weeks to go!

The weather isn’t getting any easier yet, in fact, today whilst painting in my shed I got quite scared. That is not me! The sun had been shining, but a large cloud was beginning to darken the sky. Suddenly it started blowing so much that the shed was actually shaking. I have never experienced that before. Even the cats sat up and took notice.

I am ploughing on with the pictures for the RHS exhibition in London in April. I now have the Malus Everest picture finished – I think. I have used exactly the same type of dissections for this painting as the other one. You saw the longitudinal section of the last picture. Guess what this is. You know which crab apple this is, so try and see which part it is.

All the pictures are being done in coloured pencil. I had thought to do the dissections in graphite, in the same way as in other illustrative paintings. However, I have chosen to continue them in colour in this series of paintings.

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RHS exhibition: twelve weeks to go!

I have my work cut out to get my six pictures ready for the RHS botanical art exhibition during the Orchid show in April.

The series of six crab apple trees is well on the way. The apples are painted in all six pictures. I have done all the sketches and colours for the blossom ( done two years ago); all the sketches for my dissections were done last year; all of the apple dissections are sketched and ready to go. It is now a matter of putting it altogether in the finest detail and with my best techniques.

I have just completed the first picture. It is the Malus ‘ gorgeous’. I will give you a little glimpse at the end, but to see the completed picture I will encourage you to come to the RHS exhibition itself.

I will ask for one bit of help though. I need to include the Latin names for each of my apples and I can’t find all of them. If you know them, please let me know. The pictures will be, M. Gorgeous, M. Golden hornet, M. Evereste, M. Red sentinel, M. Red jade, & M. John Downey.

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I’m afraid that this photo is not too brilliant – a little dark. Even more reason to see it in real life. Just pray I get all the pictures finished and retaining a good standard.

First botanical art workshop in 2014, 16-17 January

Happy New year and plenty of botanical art.

I have two workshops in January, in Bosham Nr. Chichester. The first is ‘Colour mixing in Botanical art with Coloured pencil’ and the second is the same theme only using watercolour.

The first workshop is for anyone interested in working with coloured pencil if they already do so, or they would like to learn. Therefore it will be a good one both for new beginners and experienced.

We have all had the same problem now and again haven’t we, that we just can’t mix the right colour ? Well this workshop will be focusing on how to get it right. Getting the right depth of colour with coloured pencil is a matter of mixing the colours optically on the paper. We don’t always have the right colour to hand and, if we did, it is likely to be flat and boring without depth to it. Come and learn how to do it.

Thursday and Friday 16-17 January between 10:00-16:00. Get in touch via my website gaynorsflora.com. I look forward to hearing from you soon.

This is a snippet from that on which I am working towards the RHS exhibition in April. It is in coloured pencil:

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Do you use photographs in botanical art?!!!!

Yes. Sort of.

Some of my paintings take around two years to complete especially if I am doing a series of paintings and they include; A year in the life of………

How do you complete a series of paintings if the series is from the same genus and they bloom and fruit at similar times?

This is how I do some of it. As an example I will use the picture that I have been working on this week. Malus Gorgeous.

In the spring last year I did some sketches, colour detail and size of the blossom. I had to do five other crab apple trees at the same time and, during a ten-day period. This year I did dissections of blooms from the same trees and preparation sketches of the dissections to include in the pictures.

Going back to the Malus Gorgeous specifically, this summer I planned the composition and sketched this out on my final paper. I used elements from various pictures I had taken of the small tree. Bearing in mind that the apples were not full size and far from ripe and the finished painting was to include ripe fruit. The photographs were and are only a rough guide. This is the photograph I used for the main bunch of fruit.

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I had to enlarge the fruit slightly to the size they were likely to be when ripe, allowing for the fact that even this allowance might be slightly out. I had measured the ripe fruit the previous year so had a good idea of the size. I then started painting the leaves.

I picked the leaves I intended to paint, one at a time. None of them the ones in the photo. Some were more interesting than others, but I had to make sure that the leaves I picked were the ones arising from the fruit spur. These were the type I had included in my picture, and not those born on new shoots, as these are more leathery and differ quite a bit.

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I positioned each leaf as I had sketched it in my composition and painted it into the picture until most of the leaves were in place.

I have been doing the same with the apples. These are this years ripe apples. They have started falling off the branches, therefore I had to get on and paint them whilst I could – particularly if I wanted the series finished to exhibit at the RHS next year. That is if I get exhibition space.

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Funnily enough and, luckily, the apples seem to last different lengths of time on the trees. But there isn’t much in it, so I have to plough on until all the apples are finished.

Some of the pictures of the apples being painted – with coloured pencil used dry in case anyone was wondering.

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Today I managed to do all the apples. I have a couple more leaves to do and then have the dissections and branches to put in the picture. But that won’t happen yet as I have to catch up on all six pictures. The sketches Of the dissections that I have in my sketchbook will give me enough information to do this at a later time. Don’t forget that once everything is in place it has to be tied together with shadows etc in the right places.

As you see I do use photographs in botanical art, but every element in my pictures are painted from life.

By the way, comments or queries are very welcome.

My sketchbook page.

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Back home to crab apples

So far this week I have been catching up – or trying to, after our time in the US.

I mentioned that everything was green and therefore a shock after seeing the intense fall colours in America. This was the first sight of our back garden and one of our cats.

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It was still reasonably warm on our return, but I kept on my full length jeans.

Monday and Tuesday afternoon I did a lot of paperwork to catch up, but Tuesday and Wednesday morning I had my normal weekly botanical art classes. Everyone was very interested in the trip we had taken and most particularly in the catalogue from the Hunt Exhibition. Hopefully the catalogue will be motivational for some of the students.

At last on Wednesday I was able to get back to painting my crab apple series. Whilst we had been away, the Malus Golden Hornet crab apples had swelled up (luckily it has rained a little since we were away) and turned yellow. The apples are not fully ripe yet, but as this was the only painting where I had done no apples at all and very little preparatory sketches, it was the one picture I was most concerned about.

I had in fact actually started the painting before we went away. I had done a composition and finished most of the leaves, placing the apples roughly in accordance with measurements taken two years ago when starting the series. However, this year there has been little rain during the summer months and the fruit were not as big as originally allowed for. That aspect of the painting had to be sketched anew. A photo from the Malus Golden Hornet.

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On Thursday morning it started getting really cold here (relatively speaking) and a wind was building up. The Malus Gorgeous, a lovely little tree near our front door, has quite big deep red crab apples. They were beginning to fall off the tree. Although I have painted a composition with this apple several times, I had started a different composition. I again have done most of the leaves, but need to paint the apples. The Malus Gorgeous.

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I felt it was now important to do a list of the pictures, detailing what was missing on each one and the urgency of each element. I don’t want to miss an important phase in the development of each apple because I was concentrating too much on one of the..

My Malus John Downey tree now has only three apples left on it. It didn’t do too well this year. I still had five apples to paint in the picture! I decided this was a priority. I can wax lyrical about the beauty of this tree, but I will save this for another time.

So, now I have been rescuing crab apples to paint their portraits in the relevant picture and yesterday managed nine hours on John Downey. My husband went out in the evening, so I could do what I enjoyed best – paint.

I haven’t got new pictures of this painting, but here you can see the notes from my flower dissections in my sketch book. Peeking out from under the sketchbook you can just see some completed leaves on a branch contain gripe crab apples.

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Today, Friday, I have only had a couple of hours painting as we had to travel to Bristol for a meeting with other tutors from London Art College (LAC). I am the Botanical Art Tutor for LAC which is a distant learning course. If you are interested in this, have a look at their website. It is a good course.

Last day in Pittsburgh

The last day of the conference with the ASBA. It is sad. I have made a lot of new friends here from all over America, Canada, the UK, Australia and South Africa. There has been such a wealth of experience here that I am tingling.

As I have been so involved with the Hunt Exhibition, I have only been able to dip in and out of the ASBA conference. But today I went to the lectures. Unfortunately, I have been unable to go on any of the workshops, but I am happy having had the opportunity to talk to so many people.

First thing this morning there was a lecture from people from the Phipps Botanic gardens. The talk was about how they are trying to bring knowledge of plants to the people. Three of the scientists gave us a small glimpse of their everyday. It was about bringing knowledge of the environment to young people who are unlikely to even get to see a big park or open space.

For example, growing veg in window boxes as they don’t have gardens. Or, how the bugs they see in between paving stones are affected by chemicals in the environment and by the vegetation growing there, however minute. We also heard about research into the impact of chemicals on fertilisation and then the bugs and bees that carry out the fertilisation process. There are plants that can remove chemicals from the soil and, then in turn the chemicals can be extracted from those plants (phytoremediation). But as everything is in an environment depending upon each other, they have to check that curbing problems in one area doesn’t create problems in another.

The last person we heard from was trying to find a cure for Parkinson’s. This involved talking to people where it is common to find plants are used as treatment and then researching the properties of those plants. Many cures for cancer have been found in this way, such as Yew for breast cancer and the early treatments of cancer with moss growing in the mountains in Norway.

My husband sneaked in on this lecture and then spent the rest of the day at the Botanical gardens.

One of the final statements was that Botany is dying. But we have only ourselves to blame for that. Apparently in ordinary biology books, one will see a picture of an insect on some plant material. The discussion about the picture is most likely to only be about the insect and not the plant or perhaps the dependence each has upon the other. Important topics.

Pictures my husband took:

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Another lecture we had was about How to start a Florilegium. We were lucky to have four people who had been responsible for co-ordinating projects. These included the Brooklyn Botanic Garden Florilegium, the Eloise Butler Wildflower garden Florilegium in Minneapolis, the Filoli and Alcatraz Florilegiums and the Highgrove Florilegium. It is quite a job managing such important bodies of work.

I’m afraid I have no photos showing any of these Florilegia!

The last lecture I went to was with Lugene Bruno, the Curator at the Hunt. The topic was ‘Beyond Accuracy’. She was talking about the art behind the botany. It was a very interesting and encouraging talk. It also inspired some ‘warm’ discussions. What is the difference between Botanical art and Illustration. Also, how much leeway is given before it becomes Flower painting. However, there was agreement that there was room for all disciplines in appropriate circumstances.

Tonight we had the hidden bid. It is a very good way to raise money within the ASBA for projects within the organisation. Some lovely donations were made by the artists and it obviously created a lot of excitement.

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To complete the days, we had a lovely dinner before going our separate ways for a while.

Before I finish off today, you may remember I me tensioned the Cathedral of Learning in Pittsburgh. This is a picture My husband took from the inside. Remember, it was built for the purpose of housing the University of Pittsburgh and for no other reason.

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Friday in Pittsburgh

I don’t really know what ‘Homecoming’ means in the American University town environment, but I am sure the city put all this entertainment on just for us!

Today has been – what can I say – spectacular.

Last night I wrote to each of the other three Society of Botanical artists (SBA) (the UK version of the American one – ASBA), who had their paintings accepted at the Hunt this year. I sent each one a photo of their work hanging in situ. I have also asked if I can include their pictures and names on this blog. I have to admit, not all replied to my last request, so I have jumped the gun a little. But, their work is now in a prestigious place for all to see. Before I mention their names and show their pictures, I have a comment.

The Hunt have their international exhibition every three years only and, about 41 artists have work selected. To have four of us from the same organisation have our work selected, says something positive about the organisation. I know that the SBA has done a lot towards my development as a botanical artist.

The other three are:
Charlotte Linder

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Gael Sellwood

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Roberta Mattioli

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You have already seen my work in yesterday’s blog.

But, talking about prestigious, we were allowed a special viewing of pictures we wanted to see from the Hunt collection. First and foremost is the fact that our pictures are in the same collection as Rory McEwen! I can’t believe that. I saw two of his works – without glass between the picture and me. His work is perfect. I also saw work by Ehret, Redoute and several other fantastic artists.i was also amazed at the number of paintings on vellum. I think that the pressure I have got from friends here, means that I now have to bite the bullet and try using it.

I will stop going on about all the pictures I saw as I might bore everyone else to tears. It was a huge highlight though, and I feel as though I am floating with the excitement of it.

This afternoon was the talk given by five of the artists whose pictures were accepted. I was one of the five. It wasn’t bad at all as everyone was so interested. It was incredible to see that each of us had a singularity of purpose towards our botanical art and that some of us had fairly similar habits. Although there was a lot that divided us. At least my husband now knows that I am not unusually weird – it goes with the territory!
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I was at a talk this evening, but as it ran late and I had a prior appointment, I had to leave early at 19:30. We again met my friend from nursing school and went out for a lovely meal. She explained to us a little about how food is ordered and shared out in America. It made much more sense. We had tried to eat two different things the night before, leaving a lot of it and still feeling too stuffed.

Towards the end of the meal, there were some huge explosions. We knew that something had been going on outside as there seemed to be a lot of prep for some festivities and loads of students were out and about. Everyone rushed out ( the waitresses didn’t try and get us back in as we hadn’t paid our.bill yet), and we watched an incredible (a lot) fireworks display. Most of it came from one side of the campus with short breaks allowing short,sharp bursts from the opposite direction. The sharp bursts were directed up the side of the Cathedral for Learning. This is an impressive building looming very high upwards. It looks like a cathedral but seemed never to have been intended for other than learning. The fireworks lasted over 30 mins and I am not exaggerating. They could be felt reverberating through you.

After they had finished we went back into the restaurant to pay the bill. At no time had the waitress come out after us. Very trusting.

We had a lovely time with my friend and I thanked her for putting on such a display for us!

To finish off. On the way back to the hotel, we saw a ‘sight’ crossing the road. There must have been about 30 pairs of legs crossing the road. They were LEGS. The type that stretch from ground to armpit – on hiiiiiigh heels. I have to say that I gawped as well as my husband. They were an impressive sight. Sorry, no pictures!

Thursday in Pittsburgh

A busy and exciting day. This is the first full day of the ASBA annual conference and the opening of the Hunt’s 14th International Exhibition of botanical art and illustration.

This morning started off with a Portfolio session where many members lay out their work for query, comment and I suppose critique. There was a huge variety of styles and it was very interesting. Many had done their work on vellum, but there were other techniques too. I was encouraged to try vellum although it is extremely expensive. Also suggested that I use the sort available in the UK as this is the best.

I am told that the latest ASBA magazine has a very good article on how to paint on vellum. For people out there who paint botanically, I recommend that you join this organisation. Membership has quite few benefits.

I saw some beautiful silver point work, and some very good pen and ink work. I wish I could describe some of it as it is obviously a new technique to try and learn. Unfortunately I didn’t take any pictures.

Towards the end of the Portfolio session I went to a talk on the history of Vellum. Unfortunately, it was more a history of the family who produced Vellum in the US. Parts of it definitely were interesting, but I feel that I know little more now than I did before I went into the talk.

We had a long lunch combined with AGM.

The afternoon was filled with a techniques showcase. Three different artists with three different techniques and materials demonstrated for us. The topics were Graphite, watercolour and coloured pencil. They were very good. Although other workshops were going on at the same time, the auditorium was pretty well full of interested artists.

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Then the opening of the Hunt Exhibition. Several school buses picked us up at the hotel and drove us to the Hunt. We went to the top floor (walked!), where we were greeted with nibbles and punch. A friend of mine who started nursing at the same time as me 50 years ago in Set 231, now lives in Pittsburgh. She came to hep celebrate with her neighbour.it was lovely having them there too.

All the pictures were hung in a large room and some speeches were made to open the exhibition. Unfortunately I can’t repeat what was said as you couldn’t hear. But a good time was had by all, even when the fire alarm evacuated the building.

We were turfed out into the balmy evening air, but it didn’t deter any conversation.

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Wednesday – In Pittsburgh

We spent a good night at Bloomsburg, found out that there was going to be a very big fair in the town, so decided to retrace our way back to the interstate highway 80.

There was low mist in the valley (and rather chilly), but this cleared up immediately we got up onto the freeway which was a little higher. The road took us higher and higher as the vegetation became richer in colour. The sky was almost cloudless except for some wispy clouds floating way above us.

Did you know that here the ivy climbing the trees is obviously not the same sort as in the UK? Although I haven’t studied it in detail it seems to be deciduous as it coats the tree trunks in bright red leaves. It makes a difference to the overall impression of red-trunked trees to the green ones we have at home.

Again, the pictures on my iPad don’t quite convey the majesty and colourfulness of it all as we zip by in the car, hopefully we will have better pictures to show later.

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We stopped off at one point for a coffee. Driving into the little town, it looked really beautiful and inviting on the outskirts. We parked and decided to stretch our legs by walking a couple of blocks in the centre. It all seemed dead. Loads of shops completely empty and only a handful that had the slightest thing going on at all. The houses were generally in a state of disrepair. We didn’t see too many people, but they seemed happy enough. Life was obviously giving them a hard time.

We drove over the Bald Eagle Mountains before starting our descent into greener territory. The landscape was still impressive, but without the sudden glimpses of rich colour.

Traffic here is generally much slower here and the flow seems much more organised. Less dashing about (seemingly) and it is rare for anyone to sit on your tail. The exception are trucks. They zoom along at an incredible speed, faster than the speed limit and faster even than they are allowed on British roads. As my husband pointed out, diesel is much cheaper in the US. If they had paid the same rate as in Europe, they certainly wouldn’t have even considered driving at these speeds as it would cost too much!

Lunch was in a Diner. It looked just like the ones you see in films. In fact this is a little glimpse. My husband is sitting there as the partial subject.

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We arrived in Pittsburgh and without a detailed map or working SatNav, we got lost immediately. We drove over a bridge we shouldn’t have, drove around to get back and got even more lost. In the end we stopped asked the way. A sweet gentleman in a store gave us clear directions and we eventually got here safely.

We have been duly registered, watered and fed. I have had my first Margareta since being here and enjoyed it hugely. We have already met the two girls who were on the Sarah Simblet course with me, plus two American artists who won RHS medals at the same time as I did. It’s good to know one isn’t a complete stranger.

In reading my paperwork more carefully from the Hunt, I think I will need to be just a little more prepared for my talk on Friday. But tomorrow the fun begins.