The above picture was taken last night by Charles Francis and the book was apparently meant to be a surprise Christmas present from Robin. Dr. Shirley Sherwood is in the process of signing her latest edition and I am told more was written, but I am not allowed to see this until Christmas Day.
Robin and I were invited to the preview of the latest exhibition at the Royal Botanic Gardens, Kew, in the Shirley Sherwood Gallery. Many people may know that this is the only purpose built botanical art gallery in the world. It introduces people to plants in a completely new way, encouraging people to look at and appreciate them with different eyes.
Dr Sherwood has over a 1000 botanical art pictures in her collection and as she said yesterday, this exhibition and the accompanying book is a retrospective of her collecting. She says that she had a huge problem in deciding which pictures should be included in the exhibition as of course she didn’t have room in the gallery to show them all.
It was a really lovely evening where we met artists from around the world. It was a really good time to catch up with old friends, make new acquaintances, but above all, study the artwork. There is some amazing work there which if possible you need to see with your own eyes. I know this isn’t possible for everyone and that is why the book is a good additional opportunity to see the pictures. Elaine Allison will be reviewing the book on the ABBA website in due course.
When we arrived at the gallery, we immediately saw Charles Francis and his daughter who were both there to represent Mally who had painted one of Dr Sherwood’s last acquisitions; Babbington’s Leek. It was so good to see them again as the last time I saw Mally and Charles was the day the picture was bought.
Now to the ‘more’ as promised above.
This weekend I will be taking part in the Bosham Christmas Craft Trail. We call it a craft trail because although we are all serious artists, the majority of those taking part are makers rather than fine artists. The only two fine artists on the trail are Tamsin Saunders and myself. Our styles are completely different ranging from my tight botanical art style, to her much looser more abstract style of painting. Tamsin is joining me at:
Saltings, Windmill Field, Bosham, West Sussex, PO 18 8LH.
Do come and join us and enjoy mince pies and mulled wine whilst you browse.
You will get to see my latest piece of work:
Three Blueberry Leaves painted on natural calfskin vellum.
I have been really bad at keeping on top of my own website because of all the work in relation to ABBA (Association of British Botanical Artists). Therefore this information about my participation in the RHS exhibition next week is not on the right page! Sorry about that, but I am telling you a little more about it now and hope that you will be able to make it.
Following on from the exhibition ‘In Ruskin’s Footsteps’ at Lancaster University, we (ABBA) have a stand this coming week at the RHS Plant and Art Fair, which for Botanical artists is a very important event. It is on 11th & 12th July at the RHS Halls in London. ABBA have a stand with the majority of Botanical artists, in the Lindley Hall. As I said in my last blog, Follow the Banner!
We are exhibiting five of the original pictures from the juried exhibition in Lancaster, giving everyone a further opportunity to study them. One of them is mine – Sea Thrift, painted on vellum. I mentioned that I would be demonstrating at the exhibition and now it is clear which medium I will be using, also which plant I will be painting.
I had intended getting my own exhibit finished for the RHS exhibition next year, but because of the amount of work that has gone into ABBA, I have decided to put this off until 2020. My topic is ‘Foraging plants of the Norwegian Mountains’.
It became very clear whilst going through the various phases of the Worldwide exhibition preparation, that although the UK is a distinct island it is still part of the European Continent. At one point in our history we were connected without needing to use a tunnel, boat or plane. Our plants bear witness to this in that many of the plants that are native in Northern Europe, are also native in the UK. However, some may not be so common these days.
One of my series of plants is the Arctostaphylosuva—ursi, Common bearberry in English and Melbær in Norwegian. It looks similar to a Crowberry, but is white inside (floury), giving its Norwegian name. When picking Crowberries it is not popular to mix Bearberries in by mistake as they don’t taste quite as nice, although edible. Also it is a stone-fruit and not a berry!
ABBA wants to encourage botanical art in relation to our native flora. As I intend to paint the series on vellum, I will be using this medium on the ABBA stand at the RHS. I have a nice little plant of the Bearberry with the beginnings of small flowers. The image is already transferred to a small piece of vellum which will be ideal to practice on and make decisions about which colours to use.
You might be just able to see that in my sketchbook I have quickly done a rough tonal drawing, indicating where the light is coming from. I have also put in a little blue to indicate where the light of the sky has reflected on the leaves and started indicating the difference between the colour on the front and back of the leaves: but that is in my sketchbook. Which colours I will actually choose to use on the vellum, remembering that colours appear far more intense on vellum as it reflects the colour of the pigment better than on paper, will be the result of this trial piece.
In addition to my demonstrations we will be talking with people to find out what they want from ABBA in the future and whether they – you, want to be part of it. Our focus will be to help anyone, anywhere, interested in botanical art to learn more.
But there is a little icing on the cake: The RHS have agreed to show the Botanical Art Worldwide exhibition slideshow from 25 countries. This will happen in the talks area of the Lindley Hall, between and after the talks. But just in case you want to see it otherwise, we will be showing it on the ABBA stand.
This is the last opportunity to see the Worldwide Slideshow!
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You might very well wonder what the connection is particularly if you didn’t read my last blog a month ago! ABBA stands for Association of British Botanical Artists. For some of us working with ABBA during the last year, at times we have been so busy that we felt as though we could buzzzzzzzzz away to something more relaxing. But we stuck with it and had a lovely exhibition at the Peter Scott Gallery, Lancaster University.
That was the start of ABBA, formed to take part in the Botanical Art Worldwide Exhibition where we were one of 25 countries taking part. For my part, I co-ordinated the UK offering.
But, whilst doing this it became very clear that there was a wish for ABBA to develop into an organisation that catered for everyone interested in botanical art. We are now putting things together to develop ABBA. Do come to the RHS Art & Plant Fair at the RHS Lindley & Lawrence Halls in London 11-12th July where we have a stand. You will be able to talk with me and my colleagues about our plans for ABBA’s future. Hopefully we can encourage you to join.
If I get time, I will be having some work there to demonstrate on, but I haven’t decided in which medium. That can be a surprise!
So what has been going on with me since my last blog?
I had a very interesting workshop at the end of May, where we concentrated on colour mixing. This is the sort of workshop that everyone says they want to do, but when it actually happens, life has taken over. But some people did sign up with an attendee from a loooooooong way away.
Although there was the opportunity to work in watercolour, people chose colour pencil. The results were amazing and there were pencils everywhere! In fact, it became so thoroughly interesting that I continued with my weekly class on one colour found to be a real challenge.
See if you can find a solution. I have to say it was slightly easier in watercolour than colour pencil. But a lot of layers are necessary no matter what medium you choose.
Following on from that was the event at the Stansted Park Garden show. We again had a really super show and met a lot of lovely people and the weather was perfect.
I notice that I am listing up events, which is not what my blog has normally been about. I want to show you work that I have been doing, but everything has been done in small bites as we race around the country setting up, taking down and planning.
But I did work some more on my Indian Corn in colour pencil. Luckily the fruit part of the corn doesn’t change too much over time as long as you look after it and keep it away from the light and gnawing bugs. But it is different with the leaves. I do need fresh supplies of those if the colour is to remain vibrant.
I hope to see you at the RHS in a couple of weeks time. Do let me know if you have read my blog!
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The last time I wrote a blog was at the beginning of April. That is a long time ago for a blog, but the time has been filled to the limit.
I won’t go into the intricate details, just enough to let you know what I have been doing.
I don’t think I have mentioned in any great detail the formation of the Association of British Botanical Artists (ABBA), initially just to allow the UK (England and Wales) to participate in the Botanical Art Worldwide Exhibition. At the American SBA conference in Pittsburgh in 2016 we were faced with the possibility that the UK would not participate because we were all too busy! I couldn’t let that happen. In the end 25 countries took part.
At a meeting back home in November, three of us met and agreed to form a steering group with me as main co-ordinator; we launched ABBA at the Royal Horticultural Society’s (RHS) Botanical art show in February 2017 and the process for participating in the Worldwide Botanical Art Exhibition began to take shape. A few more botanical artists joined the steering group and we were away.
We decided we wanted to hold the exhibition ‘up north’ as everything happens ‘down south’, doesn’t it? We found an exhibition space in Lancaster and ‘In Ruskin’s Footsteps’ (the name of the UK exhibition) started to develop. An RHS Dawn Jolliffe bursary was applied for and granted, so now we had something with which to pay for some of the things we had to pay for!
In November submissions of botanical art pictures arrived from all over the country and our amazing judges took care of that- initially digitally (with signatures removed) and the last phase ready framed at Kew in January. 40 beautiful pictures were chosen for the exhibition to be held 18th May to 9th June.
Several other institutions in London decided they wanted to work with us for the Worldwide Day of Botanical Art 2018, which was on 18 May. Therefore, together there was a lot going on behind the scenes on these events too.
After some wobbles and lots of hard work, the time to set up the exhibition arrived, now to be held at the Peter Scott Gallery, Lancaster University. It is a fantastic exhibition space and people working there plus the previous curator at the Ruskin Library, were very helpful and supportive.
We had the pre-view on the evening of the 17th May, with speeches by the curator Richard Smith, myself and the opening of the exhibition by Professor Stephen Wildman. That in itself was a lovely event (I think!) and many of the exhibiting artists came along.
For more information about the Botanical Art Worldwide Exhibition; In Ruskin’s Footsteps, go to
www.britishbotanicalartists.com.The exhibition is on until 9th June 2018. Generally botanical artists are there demonstrating and on the last day there will be a tour of the pictures and a talk.
In between all of this I have managed to squeeze in the Chichester Open Studios weekends and I had quite a few interested visitors. Each evening though it was back to working until the early hours of the morning, on ‘In Ruskin’s Footsteps’.
To show you a little of my own demos whilst in Lancaster I am including the unfinished picture I worked on in coloured pencil. I chose a Lily of Valley as so many people worry about white flowers. I wanted to show how best to do it. I used a lamp to highlight from the left and some of the leaves became backlit creating a beautiful architectural plant. The picture will remain unfinished as the flowers are now long gone, but it will be useful to demo on.
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The Easter break has been and gone, visiting family who enlivened the recent days have gone back to their own homes and it is back to botanical art.
I will say farewell to “Farewell” (the Benton Iris) at the end of this blog, but invite you to see a couple of developments.
My project for the Chelsea Florilegium this year is the Rhododendron impeditum. It is an exquisite dwarf Rhododendron. Why I do such tiny plants, I have no idea. I spend a lot of time trying to think out how I am going to portray it even before I start. I know that it won’t be easy but at the moment I am doing as many sketches of it as possible before the buds open. Initially the buds looked fairly dead and in fact the winter did kill off my first plant and killed the buds of the 2nd plant. Luckily I managed to find a 3rd one, so my sketches so far have been from this one.
I think I will tickle your imagination as to how I might tackle this by just showing you a picture of my plant this time. With any luck, before too long I might have a better idea of what I am doing because soon the plant will flower and I will need to capture the detail on paper.
There is still a lot of work to do in preparing for the UK part of the Botanical Art Worldwide Exhibition – In Ruskin’s Footsteps. I hope as many people as possible will put the dates of the exhibition into their diaries. It will be held at the Peter Scott Gallery, Lancaster University between 18th May – Worldwide Day of Botanical Art – and 9th June. It will be open on weekdays between 12:00 – 17:00, and there are two special event days on Saturday 19th May and 9th June. These Saturdays will be open from 10:00 – 16:00.
Apart from the 40 juried pictures of native flora on view, we will also be having some demonstrations in botanical art and in depth tours of the artworks on the special event days. All this in addition to showing a continuous slideshow of roughly 40 pictures from each of the 25 participating countries throughout the whole exhibition.
I think this exhibition will be very different to any one you will have seen before because of the involvement of so many countries from around the globe – all at the same time.
I also want to share with you the excitement I have felt recently because of one of my plants from Norway. It is called Empetrum nigrum; hermaphroditum (Krekling in Norwegian or Crowberry in English). Normally this plant is either male or female, but at high altitudes it has both sexes in the same plant. During the autumn my plant developed some flower buds. But nothing else happened until this last week when a couple of them started opening and showing petals.
I took this picture with a macro lens on my iPhone. The actual size of each flower at this stage is about 2mm. I am keeping my fingers crossed that they will be fertilised so that I get fruit in the autumn.
By the way, this is one of the plants that I will be painting for my series of Norwegian mountain plants.
Before I finish, my next botanical art workshop is 27-28 April and we will be concentrating on different pen and ink techniques. Have you ever thought how many techniques there are? I think you will get a surprise. Knowing a little more about them can really enhance your botanical art practice. Get in touch via the contact form on my Workshop web page: gaynorsflora.com/tuition-2/workshops/
So finally, the Benton Iris ‘Farewell’. I am pleased that I own the copyright for this picture.
I am fighting to get time to paint! Last week I was unable to anything for about 10 days because of the dreaded flu. After that it was trying to catch up with assignment marking and the Iris picture.
The only thing that you the reader will be interested in, is the Iris and how that is progressing. My last blog showed you some of my preparation sketches and my planned drawing. After that it was a question of tracing all the sketches that I decided to actually use in the picture. I traced them onto my final art paper using the the technique you will find on this page:gaynorsflora.com/my-tutorials/ The video is called ‘How to trace an image to art paper’. The reason I do it this way is to remove any risk of creating any indentation in the art paper. An indentation tends to collect pigment when using watercolour, or leave a white line if using coloured pencil We don’t want either of these results.
I used the old Fabriano extra white HP, 640 gsm. I am in the lucky in that I have enough old stock to last me!
The main colours that I am using in my greens are Maimeri Cyan, which is a Phthalocyanin PB15 pigment. This is one of my favourite colours as a base for greens, although if needing to go very dark I might use Idanthrene Blue. The yellow is Quin Gold with a touch of Transparent Yellow. For warming the colour, greying it down or even creating a grey I use Perylene Violet. Therefore I use mostly these colours to create my greens and browns.
Although I have loads of sketches and colour swatches, I have also taken a plant into the house and luckily the leaves have started growing. This confirms the colours that I have chosen to use.
You will notice that I have the whole length of the stem cut in two on the right side of the picture. In botanical art, when the height of the plant is rather tall as in this instance, one needs to actually show its whole length. This is done by cutting it and showing the two matching end pieces in the design. Here I have cut the upper portion away, leaving the bottom of the stem attached and growing from the leaves. The upper section will include the open flowers and developing buds.
So what was my big mistake? I decided to mask out the stem and do the leaves behind it. But I needed to cut the edge of the tape. I tried to mark the tape with a pencil, but it didn’t work, so used a pen! I know stupid, stupid! As you might expect, when I applied water the ink ran onto the paper, even though I thought I had cut it away.
Also, the cut edge was not close enough, so I ended up with either a gap or an extra wide stem. Artistic license is all very well, but not in botanical art when you need to show the plant as it is.
I won’t go into so much of the detail in the stages I will show you today. But notice that the leaf going off to the left is grey. This is graphite. I don’t want to do heavy painted leaves for the whole design or I am afraid the delicacy of the flower will be lost. I could be wrong, but we will see how it goes.
I hope it won’t be too long before I can do some more work on this. However, the Worldwide Botanical Art Exhibition is now at a crucial point. Just before Christmas we in The Association of British Botanical Artists (ABBA) had the first stage of jury selection which was done digitally. Those successful artists have been getting their work framed over Christmas and are now delivering it, mostly to me, for the final stage in the juried selection due to take place up at Kew next week. We will then start the process of uploading the final forty successful paintings into a slideshow which will be included in the Worldwide slideshow with Forty native plants illustrated from each of 23 countries.
It will be a magnificent exhibition in each of the countries participating.
Tomorrow two of us are travelling up to London to set up the ABBA table in the RHS Lindley Hall, Vincent Square near Victoria Station. It will be the RHS botanical art show with the best of International botanical artists showing their work. Neither of us are exhibiting our own work this time, but we will be demonstrating different techniques.
The main reason for having the table at the exhibition is to talk about the plans for the Worldwide Botanical art day in May 2018 and to encourage British botanical artists to take part. A new Association of British Botanical Artists (ABBA) formed to do this has put an initial ‘call for entries’ on it
On Friday and Saturday this week, I have chosen to demonstrate a sketch book or study page in graphite and watercolour from one of the native plants I have packed to take with me. Come along and see how I do this.
Apart from the Primrose, do you know what these plants are called?
The one on the right, with hardly any leaves just yet, is a Bilberry. This is a small wild blue berry. It doesn’ look very interesting at the moment, but if you are going to paint the portrait of a plant, including something from various stages in its life cycle, makes the resulting picture more interesting.
The plant above the Bilberry with the small oval leaves is Cowberry and has small red berries. You might know it as Lignonberry and has smaller and sharper tasting berries than cranberries. This plant has the beginnings of tiny flower buds.
The one above the Primrose is a Crowberry and will eventually have small, almost black berries. Again the plant doesn’t seem so interesting in this stage of its life, but I think might offer some challenges whilst painting its portrait.
Common for for all three species ( not the Primrose) is that they all produce fruit that is edible.
I am lucky enough to be able to do some sketches now, while the plants are only just coming out of their winter state. This will be particularly useful for me and for future work I have planned.
Do come and see us at the RHS, Lindley Hall, Vincent Square, Friday and Saturday.
We have just got back from long, tiring hike, with a lot of steep hills. We started near Cuckmere Haven, went up through the Friston Forest and then down to the Birling Gap, going along the cliff path in the Seven Sisters Park back to Cuckmere.
I generally write about something pertaining to botanical art and this is no different. But if one is able to get around – and I recognise that not everyone can do so, getting out into nature to look at the subjects it provides for us is exciting. Unfortunately not everyone does have the ability to get around and hopefully my blog can bring some of what I experience to those people.
I have spoken a lot about native flora of late and of course that is because I am involved in the ABBA team that is putting the UK on the International Botanical Art map in May 2018.
I, like many other botanical artists have always painted or drawn the plants that do something for me, no matter where those plants have originated. The topic of the Worldwide exhibition is ‘Native plants’, therefore I have looked long and hard at the pictures I have painted before and those I want to paint in the future. There are so many plants that are considered native and often they are right outside our back doors. But they can also be quite stunning.
Click on this link to see a picture of Bee Orchids at the bottom of the page, painted by Claire Ward. I had to ask her if they really were native plants – and yes they are. http://www.abba2018.wordpress.com
Back to the Seven Sisters and Friston woods where we saw this lovely forest of Beech trees.
Apart from swathes of Snowdrops at the beginning of the walk, we also found clumps of Primroses –
and some stiles! Not good for us old people. Bear in mind Robin is just older than me (although he hides it well), but it is me that struggles so much with these contraptions. I can walk for miles over rough terrain, up and down. But climbing a stile gets me. I think those stiles will get me before walking a long distance does. I am so glad when I see a gate that can be opened, and would happily hang over an edge to get round a post rather than over the stile that might be inbetween. Not to mention some of the stiles that are so rotten, that they are dangerous. None were today.
We had tea and cake, outside at the Birling Gap. I only mention that to show the difference in the weather over one week. Last week it was bitter cold, but today was quite pleasant if one kept walking.
The Seven Sisters is a series of chalk cliffs that rival Beachy Head (the White cliffs of Dover). Part of the South Downs Way runs along the cliff top, which goes up and down seven times. In fact, I thought I counted eight, but by the time I got to Cuckmere Haven, I was past caring. Along this stretch there was a lot of flowering gorse. Pictures do show a little of the beauty up there.
Following loads of preparation, ABBA (the new Association of British Botanical Artists) launched its new website on Wednesday and I had one of my workshops on Thursday, Friday and Saturday.
The steering group for the new organisation put in a lot of work up until the launch of information about the Worldwide Botanical Art day in May 2018. For more information look at the website: Www.abba2018.wordpress.com. We have had a lot of very positive feedback and quite a few botanical artists have already started thinking about a species of plant they want to paint.
The botanical art workshop concentrated on painting pale flowers on white paper. My students were extremely brave and worked on the sort of thing a lot of people fear doing – painting white flowers on white paper. They actually chose to do this, although I suggested they could work with any pale flower.
Here are a couple of the results. One in watercolour and one in coloured pencil.
The trick is to try and paint your pale flower with a background of darker colour – leaves or a dark flower.
I was extremely pleased with the results, as were they.
Tomorrow we are going for our long walk to build up for long days at the end of the week when we will be at the RHS exhibition in London.
Sarah Morrish and I will be there for both Friday and Saturday, demonstrating and giving out information about the Worldwide botanical art day. Lucy Smith will be joining us for one of the days and the intention is for us to use different methods of drawing or painting native plants.