I got an email the other day…

We have a local village magazine which covers the villages between Chichester to Emsworth and a little up into the Downs. I was really surprised to get an email from them the other day telling me that if I hadn’t looked in the recent issue, there is an art competition. The winner’s artwork will go on the cover in the October issue and the subject is Autumn.

There are a lot of artists in this area and I expect many got the same email. But I need to practice as much as I can on vellum  in preparation for when I start my final pictures for the RHS exhibit, so I thought I would see if I could get a small picture finished. Unfortunately the deadline is pretty soon – 10 September, and I have a workshop this weekend, but I have started something.

The blackberries in the garden are coming towards their end for this year, but apparently in the hedgerows they are only just beginning to ripen. The wind and the rain hasn’t helped much, but we have a few days of warmer weather due.

I’m painting Blackberries on Kelmscott vellum. There are two problems: It might not be finished in time and it might not be good enough to put in. There is a third thing – if i finish it and its OK, they might not choose it! But then I will have  5 x 7″ picture.

 

The berries are gorgeous aren’t they?

I found the actual painting on Kelmscott rather different to painting on natural calfskin vellum. If you make a mistake (which I often do at this stage), it is easier to take out on the Kelmscott. But, as it is easier to take out, it also means that i have to be even more careful with the dry-brush technique, or I lift off what I have already done.

This blog shows my preparation from first sketch before tracing it onto the vellum to the first group of berries.

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My Perpetual journal

I have to be honest, but this idea is not mine. I came across it when researching different types of journal. I hope that Lara Gastinger won’t mind me taking her name in vain, but I saw that she had been doing this for years.

Many people try to do a drawing a day, but knowing how I get involved in what I do, I thought I would never get anything else done. My aim was to be quicker with what I do – but that is what everyone wants to be. Many of my students want to paint faster, and I remember I wanted to do so when I first started painting botanical subjects. But I get slower and slower because I increase the detail and complexity of my paintings.

Because each picture takes so long to finish, I am doing very little ordinary quick sketches. I wanted to increase my output and thus increase my ability to make quick sketch notes. How was I going to do it?

I now have an A5 Stillman & Birn Zeta sketchbook and have set off a double page to do one sketch a week, and next year I will go back again to the same page to do another one. I have done this since March this year, but missed three weeks whilst I was sketching and colour matching mountain plants in Norway.

Why does this help me? Well, I have decided to minimise the graphite help marks I draw so that I go straight into it with pen, then do colour washes.

23-24 August this year I am having my annual Fruit & veg workshop (places still available)and I thought some preparation sketches for this would be ideal in my Perpetual diary. This is what I have done today. I took several photos so that you can see the stages. If you want to learn about this – and more, get in touch and sign up as soon as you can.

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