In actual fact, I ought to make a correction to the above title straight away; its How I draw a poppy seedcase in graphite.
Since we came back from Italy, I have been chasing my tail as usual. But there is a result, so the time wasn’t wasted.
I’m in the process of writing a new, online botanical art course starting off with graphite, moving to pen & ink and then either watercolour or coloured pencil (one or the other – the choice being the student’s). I have put a lot of work into the sections I have done so far and knowing that different people learn in different ways, I have thought a lot about this quite a bit.
My husband has been a beautiful model in some sections so that I have been able to explain in words and show in photographs, different techniques. That is the reading and seeing bit. But then we have audio input too, and that is where videos come in.
Some of the videos I have done so far are very short and will not be available unless through the course, but today I have actually finished one that shows how I do a botanical graphite drawing from line drawing to finished piece.
This is the finished artwork – only small and as yet I haven’t really found a title for it other than Poppy seedcase. But if you have some imaginative titles, please give me a prod. At the moment I am a little brain dead!
Phew! I have just managed to post the list of botanical art workshops for 2016. Do have a look at them and make your reservations for next year. The schedule and the booking form can be found under Tuition – Workshops. My UK based workshops are limited to 8 people so that I can concentrate on each person and give them advice to improve their skills.
I’m afraid that I haven’t got quite so far with the Norwegian botanical art workshop holiday. The hotel is booked for Friday 24 June to Friday 1 July 2016 and I have posted this in the relevant section under Tuition. However, all the details and booking form have yet to be completed. Do start saving. Fantastic weather has been booked yet again and the hotel is looking forward to looking after us. This year, everyone was amazed by all the flora that was out. Norway is now very careful about using sprays on roadsides etc, so now everywhere is fantastically beautiful as wild flowers are encouraged.
As well as working on botanical art painting and improvement, we will be taking trips out to collect subjects to paint, and hopefully organise an afternoon trip a little further afield too. I intend to offer a two-day focus on pen & ink in addition to the mediums you normally use (watercolour, coloured pencil or graphite). I will be providing the materials for the pen & ink, so that no-one needs to worry about sourcing that equipment prior to the week’s holiday workshop.
I’m afraid that in looking through the pictures from the Norwegian workshop holiday this year, I got rather involved in them and as well as posting a few on the page about the holiday, I have included some more here. Please do enjoy. If you like the photos, imagine what it is like to see it all in real life!
I look forward to hearing from you soon.
This exhibition was very unusual as it was held in the Mine Directer’s barn. Torvald Moseid had embroidered a long frieze depicting Orfeus & Euridike. He had done it between 1978 and 1985 – apparently working on nothing else. Each section depicted beautifully the feelings throughout this story.
You need to bear in mind that Mølen is Norway’s largest beach of rolling stones, but apart from being an area of scientific interest, it is outstandingly beautiful.
2015 is not over yet; we still have the rest of October, November and December. So much happens in the garden during this time as things switch off to rest and reconstitute themselves ready to spring open in all their glory next year.
Personally, I find that there is still so much out there that I want to paint. I used to think that it would be a time of rest for me too – not true. I still don’t have enough time to paint or draw the living three-dimensional plants onto my two-dimensional paper (or whatever it is I paint on).
I am in the process of putting together a botanical art workshop schedule for next year. I have just heard back from the hotel in Åsgårdstrand (where Edvard Munch had his studio), that they would love to have us again at the end of June 2016, so I can now get the rest of the schedule together and hopefully post it on my website during this coming week.
In the meantime, information about the two remaining Bosham botanical art workshops for 2015. There are only two vacant places for the ‘Stunning Pen & Ink’ workshop, Friday and Saturday 30-31 October. That is not this coming week, but the one after. If you are interested, do get in touch as soon as possible if you don’t want to be disappointed.
For the last 2015 botanical art workshop there is one vacant place; ‘All those stunning Autumn colours’, Friday to Sunday, 20-22 November. Again do get in touch.
Obviously the Pen & Ink workshop will just be pen & ink and I can supply you with the necessary equipment. The Autumn colour workshop can be in either watercolour or coloured pencil. The classes are kept small so that I can give appropriate help where necessary – as well as demonstrate both mediums.
Yesterday we spent a super day in London, visiting Kew gardens. We had a lovely time and lunch with a good friend (also a botanical artist) at Kew, before going to have a look at the latest exhibition in the Shirley Sherwood gallery. The pieces that struck me most, were a series of Poppies by Denise Ramsay. If you get the chance to go and see them, please do.
We had been invited to an exhibition at the Herbarium in the early evening. The artist was Gustavo Marigo from Brazil, who had been on the Margaret Mee Fellowship programme. Watch this space, the last piece he worked on right up to the exhibition had so much depth and was quite beautiful.
The weather yesterday was so miserable and wet; we never thought, when we got up that the day would be so interesting.
Today I have been in the shed finishing off the Fuchsia microphylla. I mentioned last time that I had one or two problems because of the intense colours. Like anything else, when one sees a plant up close the colours become very clear and stronger than they might seem from a distance.
I had intended to draw a snippet of the plant actual size, in graphite. However the graphite appeared so subdued against the strong colours.
Robin suggested that i change the graphite section to ink to balance the picture. I was very dubious, but traced the section in ink on a sheet of acetate.
Doesn’t look too bad does it? So I took the plunge.
Here is the final painting. Try and imagine it without the watermark as it unbalances the actual composition: